Every evening the three Furlongers used to sit by the fire and stare
into it. Len would sprawl back in his chair with his pipe, and the other
two lean forward with needlework and newspapers and cigarettes. They
seldom spoke--the wind would howl, and the shadows would creep, and the
night drift on through star-strewn silences. At last some one would yawn
loudly, and the others laugh--and all go to bed.
Len was worried about Nigel and Janey, and usually devoted these
evenings and their pipely inspiration to thinking them out in a
blundering way. He was not a man given to problems, and hitherto life
had held but few. It was an added bitterness that now his problem should
be that brother and sister who had always stood to him for all that was
simple and beloved.
Nigel, in his strange fears, his subcurrents of emotion, and quickly
changing moods, reminded Len of a horse; he did not object to drawing
upon his knowledge of horses and their ways for the management of his
brother. He humoured him, bore with him, but kept at the same time a
tight hand--especially when the boy's seething restiveness and pain
found vent in harsh words to Janey. Janey could not bear harsh words
now--she had used to be able to pick them off and throw them back in the
true sisterly style, but now she winced and let them stick. Janey
perplexed Len as much as Nigel, and worried him far more. Her eyes
seemed to be growing very large, and her cheeks very hollow. When she
smiled her lips twitched in a funny way, and when she laughed it grated.
Janey cost Len many pipes.
The explanation of Janey was, of course, at Redpale Farm, sitting glumly
by his winter fireside, just as she sat by hers. The love of Janet
Furlonger and Quentin Lowe had entered on a new phase. Quentin was
beginning to be dissatisfied. At first Janey had imagined that she would
welcome this, but it did not come as she had expected. It brought their
love into spasmodic silences. Up till then Quentin and she had always
been writing and meeting, but now he wrote to her and met her in
strange, sudden jerks of feeling. Sometimes he left her for days without
even a line, but she could never doubt him, because when at last they
met, his love seemed to burn with even greater torment and fierceness
than in the months of its more regular expression. He began to give her
presents, too--a locket, a ring, a book, which she shrank from, but
forced herself to accept because of the evident delight he found in
giving.
Once more he was rambling restlessly and ineffectively on a quest for
independence. His efforts always came to nothing, partly through his own
incapacity, but always, too, through a sheer perverseness of fate,
thwarting developments, wrecking coincidences--so there really seemed
truth in his cry that the stars fought against him.
Public-domain text, read in full here on John Shaqi.
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