"Oh, no," she said rather awkwardly, her excessive youth showing nowhere
more clearly than in her inability to put him at his ease. "Oh, no, I'm
glad you came--to say good-bye."
"I'm going to work very hard. There's a fellow--Eitel von Gleichroeder,
I don't know if you've heard of him--who's taken a fancy to me, and says
he'll coach me if I'll take up the violin professionally."
"I didn't know you played."
"Yes--but I'd no idea I was any good till I met this chap. He says I
ought to make quite a decent thing out of it. I--I think it's worth
trying."
"Oh, yes."
"You see," he continued, his voice shaking with emotion, "I want to
start a new life--to be respectable, I suppose you'd call it. If I win
fame as a violinist--and von Gleichroeder thinks I may--I--I shall have
lived down everything."
"Yes ... of course."
It was embarrassment, not lack of interest, that made her replies so
trite. Memories of their friendship--now dim and far-off, separated from
her by many wonderful happenings--were creeping up to her and filling
her with a vague uneasiness.
As for Nigel, he realised now what had taken place. He understood why
his tongue had suddenly become tied in her presence, and his eagerness
collapsed into shuffling uncouthness. He had come to Shovelstrode to
speak to a little girl--and he had found a woman. Tony the schoolgirl,
the hoyden, the gay comrade, was now nothing but a little ghost haunting
the slopes of Ashdown and the secret lanes of Kent. In her place stood a
woman--come suddenly, as the woman always comes--and the woman, he knew,
was trying to call back the girl, and see things from her eyes once
more--and could not.
"Tony--Miss Strife--I wanted to tell you this, just to show you I'm not
always going to be a convict on ticket-of-leave."
"I'm sure you won't. I hope you'll become very famous."
The words passed her lips in jerks. Her memories of him carried
something very like repulsion. The more she struggled to revisualise the
comradeship of two months ago, the greater was her distaste and
humiliation. The kindest attitude possible for her now was one of
embarrassed shyness. At first she had tried to heal herself with her
memories, but as soon as she had worked back to them she found their
sweet secrets all sicklied with bitterness and shame.
He looked steadfastly at her, and he saw what had happened.
"Tony--you don't want to know me any longer--you want to forget we ever
were friends. There's no good denying it, for I can see it."
She stood motionless, her lips white, her hands clenched in front of
her.
"It's true--I can see it," he repeated.
She did not speak. Her memories were calling very loud, and there were
tears in the voices, softening the shame.
"You can't bear the thought of having once been my friend."
Tears were rising in her throat, and with her tears the little
school-girl who had run away came back, and showed her face again before
she went for ever.
Public-domain text, read in full here on John Shaqi.
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