A dream was threading through his heart, knitting up the tags of
longing, regret and hope that fluttered there. A definite scheme seemed
now to explain the sorrow of the world. The armies of the sorrowful had
received marching orders, had marched to music, had been given a nation,
and a song. Nigel had heard the Eroica Symphony.
In his ears was still the bourdon of drums, the sigh of strings, the
lilt of wood-wind, the restless drone of brasses. He had heard sorrow
claim its charter of rights, vindicate its pleadings, fight, triumph and
crown itself. He had seen the life-story of the sorrowful man, presented
not as a tragedy or a humiliation, a shame to be veiled, but as a
pageant, a tremendous spectacle, set to music, lighted, staged,
applauded.
At first the sorrowful man was half afraid, he sought refuge and
disguise in laughter, he pined for distraction and a long sleep. But
each time he touched his desire, the wailings of heavenly wood-wind
called him onward to holier, darker things. He had dropped the dear,
dustless prize, and gone boldly on into the fire and blackness.... A
thick, dark cloud swagged on the precipices of frozen mountains, frowned
over deserts of snow. The sorrowful man stumbled in the dark, and his
loud crying and the flurry of his seeking rose in a wail against the
thudding drums of fate. Gold crept into the cloud, curling out from
under it like a flame, and the sorrowful man seemed to see a human face
looking down on him, and a hand that held seven stars.... "Who made the
Seven Stars and Orion...." It was by the light of those stars in the
Hero's hand that the sorrowful man saw, in a sudden awful wonder, that
he was not alone--he marched in the ranks of a huge army. All round him,
over the frozen plain, under the cloud with its lightnings, towards the
blackness of the boundless void, marched the army of the sorrowful,
unafraid. They marched in mail, helmeted, plated, with drawn swords. The
ground shook with the thunder of their tread, the mountains quaked, the
darkness smoked, the heavens heeled over, toppled and scattered before
the conquering host whom the Lord had stricken--triumphant, fearless,
proud, crowned and pierced....
Footsteps overtook Nigel, and he heard the greeting of a fellow
student.
"You're in the clouds, old man. Who sent you there? Beethoven?"
Nigel stared.
"But the only cosmic genius is Offenbach."
"You mean the 'Orphée'?"
"Yes--and 'Hoffmann.' Life isn't a triumphal march, for all Beethoven
would make it--it's comic opera, with just a pinch of the bizarre and a
spice of the macabre. That's Offenbach."
Furlonger was still marching with the stricken army.
"When a man suffers," continued the student, "the gods laugh, the world
laughs, and last of all--if he's a sport--the man laughs too."
"Sorrow is a triumph," said Nigel, dreamily.
Public-domain text, read in full here on John Shaqi.
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