My imagination, always a vivid one, paints to me appalling pictures of the unspeakable torture which I shall probably endure; and I know that I shall die with Lipsius standing near and gloating over the refinements of my suffering and my shame. Hours, nay, minutes, have become very precious to me. I sometimes pause in the midst of anticipating my tortures, to wonder whether even now I cannot hit upon some supreme stroke, some design of infinite subtlety, to free myself from the toils. But I find that the faculty of combination has left me. I am as the scholar in the old myth, deserted by the power which has helped, me hitherto. I do not know when the supreme moment will come, but sooner or later it is inevitable, and before long I shall receive sentence, and from the sentence to execution will not be long. * * * * * I cannot remain here a prisoner any longer. I shall go out to-night when the streets are full of crowds and clamors, and make a last effort to escape. * * * * * It was with profound astonishment that Dyson closed the little book, and thought of the strange series of incidents which had brought him into touch with the plots and counterplots connected with the Gold Tiberius. He had bestowed the coin carefully away, and he shuddered at the bare possibility of its place of deposit becoming known to the evil band who seemed to possess such extraordinary sources of information. It had grown late while he read, and he put the pocket-book away, hoping with all his heart that the unhappy Walters might even at the eleventh hour escape the doom he dreaded. ADVENTURE OF THE DESERTED RESIDENCE. "A wonderful story, as you say; an extraordinary sequence and play of coincidence. I confess that your expressions when you first showed me the Gold Tiberius were not exaggerated. But do you think that Walters has really some fearful fate to dread?" "I cannot say. Who can presume to predict events when life itself puts on the robe of coincidence and plays at drama? Perhaps we have not yet reached the last chapter in the queer story. But, look, we are drawing near to the verge of London; there are gaps, you see, in the serried ranks of brick, and a vision of green fields beyond."