The Three Impostors; or, The TransmutationsMachen, Arthur
Science
The Three Impostors; or, The Transmutations
Machen, Arthur
Fiction; Horror tales, English
They turned up the drive, and walked slowly towards this remnant of old
days. It was a large straggling house, with curved wings at either end,
and behind a series of irregular roofs and projections, showing that the
place had been added to at divers dates; the two wings were roofed in
cupola fashion, and at one side, as they came nearer, they could see a
stable-yard, and a clock turret with a bell, and the dark masses of
gloomy cedars. Amidst all the lineaments of dissolution, there was but
one note of contrast: the sun was setting beyond the elm-trees, and all
the west and the south were in flames, and on the upper windows of the
house the glow shone reflected, and it seemed as if blood and fire were
mingled. Before the yellow front of the mansion, stained, as Dyson had
remarked, with gangrenous patches, green and blackening, stretched what
once had been, no doubt, a well-kept lawn, but it was now rough and
ragged, and nettles and great docks, and all manner of coarse weeds,
struggled in the places of the flower-beds. The urns had fallen from
their pillars beside the walk, and lay broken in shards upon the ground,
and everywhere from grass-plot and path a fungoid growth had sprung up
and multiplied, and lay dank and slimy like a festering sore upon the
earth. In the middle of the rank grass of the lawn was a desolate
fountain; the rim of the basin was crumbling and pulverized with decay,
and within, the water stood stagnant, with green scum for the lilies
that had once bloomed there; and rust had eaten into the bronze flesh of
the Triton that stood in the middle, and the conch-shell he held was
broken.
"Here," said Dyson, "one might moralize over decay and death. Here all
the stage is decked out with the symbols of dissolution; the cedarn
gloom and twilight hangs heavy around us, and everywhere within the pale
dankness has found a harbor, and the very air is changed and brought to
accord with the scene. To me, I confess, this deserted house is as moral
as a graveyard, and I find something sublime in that lonely Triton,
deserted in the midst of his water-pool. He is the last of the gods;
they have left him and he remembers the sound of water falling on water,
and the days that were sweet."
"I like your reflections extremely," said Phillipps, "but I may mention
that the door of the house is open.".
"Let us go in then."
Public-domain text, read in full here on John Shaqi.
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