The Three Impostors; or, The TransmutationsMachen, Arthur
Science
The Three Impostors; or, The Transmutations
Machen, Arthur
Fiction; Horror tales, English
"Yes," said Mr. Mathias; "they are, as you suggest, instruments of
torture,--of torture and death. Some--many, I may say--have been used; a
few are reproductions after ancient examples. Those knives were used for
flaying; that frame is a rack, and a very fine specimen. Look at this;
it comes from Venice. You see that sort of collar, something like a big
horse-shoe? Well, the patient, let us call him, sat down quite
comfortably, and the horse-shoe was neatly fitted round his neck. Then
the two ends were joined with a silken band, and the executioner began
to turn a handle connected with the band. The horse-shoe contracted very
gradually as the band tightened, and the turning continued till the man
was strangled. It all took place quietly, in one of those queer garrets
under the leads. But these things are all European; the Orientals are,
of course, much more ingenious. These are the Chinese contrivances. You
have heard of the 'heavy death'? It is my hobby, this sort of thing. Do
you know, I often sit here, hour after hour, and meditate over the
collection. I fancy I see the faces of the men who have suffered--faces
lean with agony and wet with sweats of death--growing distinct out of
the gloom, and I hear the echoes of their cries for mercy. But I must
show you my latest acquisition. Come into the next room."
I followed Mr. Mathias out. The weariness of the walk, the late hour,
and the strangeness of it all, made me feel like a man in a dream;
nothing would have surprised me very much. The second room was as the
first, crowded with ghastly instruments; but beneath the lamp was a
wooden platform, and a figure stood on it. It was a large statue of a
naked woman, fashioned in green bronze; the arms were stretched out, and
there was a smile on the lips; it might well have been intended for a
Venus, and yet there was about the thing an evil and a deadly look.
Mr. Mathias looked at it complacently. "Quite a work of art, isn't it?"
he said. "It's made of bronze, as you see, but it has long had the name
of the Iron Maid. I got it from Germany, and it was only unpacked this
afternoon; indeed, I have not yet had time to open the letter of advice.
You see that very small knob between the breasts? Well, the victim was
bound to the Maid, the knob was pressed, and the arms slowly tightened
round the neck. You can imagine the result."
Public-domain text, read in full here on John Shaqi.
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