"Alas!" said the young man, with an expression of great gloom, "the life is a purgatory, and all but a hell. I write, picking out my words, weighing and balancing the force of every syllable, calculating the minutest effects that language can produce, erasing and rewriting, and spending a whole evening over a page of manuscript. And then in the morning when I read what I have written--Well, there is nothing to be done but to throw it in the waste-paper basket if the verso has been already written on, or to put it in the drawer if the other side happens to be clean. When I have written a phrase which undoubtedly embodies a happy turn of thought, I find it dressed up in feeble commonplace; and when the style is good, it serves only to conceal the baldness of superannuated fancies. I sweat over my work, Dyson,--every finished line means so much agony. I envy the lot of the carpenter in the side street who has a craft which he understands. When he gets an order for a table, he does not writhe with anguish; but if I were so unlucky as to get an order for a book, I think I should go mad." "My dear fellow, you take it all too seriously. You should let the ink flow more readily. Above all, firmly believe, when you sit down to write, that you are an artist, and that whatever you are about is a masterpiece. Suppose ideas fail you, say, as I heard one of our most exquisite artists say, 'It's of no consequence; the ideas are all there, at the bottom of that box of cigarettes.' You, indeed, smoke tobacco, but the application is the same. Besides, you must have some happy moments, and these should be ample consolation." "Perhaps you are right. But such moments are so few; and then there is the torture of a glorious conception matched, with execution beneath the standard of the Family Story Paper. For instance, I was happy for two hours a night or two ago; I lay awake and saw visions. But then the morning!" "What was your idea?"