It was a fine clear night, and the great hall was full when they arrived, notwithstanding the fact that half-a-dozen theatres were open and displaying their most attractive novelties, for music-loving souls are pretty numerous in this part of the world, taking all things into consideration. Australians may not have such an enlightened appreciation of high-class music as, say, the educated Viennese, who live and breathe and have their being in it. There are, indeed, sad instances on record of a great artist, or a choice combination of artists, having appealed in vain for sympathy to the Melbourne public--that is to say, having found not numbers of paying and applauding listeners, but only a select and fervent few. But such instances are rare, and to be accounted for as the result, not of indifference, but of inexperience. The rule is--as I think most of our distinguished musical visitors will testify--that we are a people peculiarly ready to recognise whatever is good that comes to us, and to acknowledge and appreciate it with ungrudging generosity. And so the Austrian band, though it had many critics, never played to a thin audience or to inattentive ears; and no city in Europe (according to his own death-bed testimony) ever offered such incense of loving enthusiasm to Ketten's genius as burnt steadily in Melbourne from the moment that he laid his fingers on the keyboard, at the Opera House, until he took his reluctant departure. This, I hasten to explain (lest I should be accused of "blowing"), is not due to any exceptional virtue of discrimination on our part, but to our good fortune in having inherited an enterprising and active intelligence from the brave men who had the courage and energy to make a new country, and to that country being such a land of plenty that those who live in it have easy times and abundant leisure to enjoy themselves.