The Three Miss Kings: An Australian StoryCambridge, Ada
History
The Three Miss Kings: An Australian Story
Cambridge, Ada
Australia -- History -- 1788-1900 -- Fiction; Sisters -- Fiction; Young women -- Fiction
at the stage under the great organ, at Herr Wildner cutting the air
with his baton, or at poor Ketten, with his long, white, solemn face,
sitting at the piano in a bower of votive wreaths and bouquets, raining
his magic finger-tips like a sparkling cascade upon the keyboard,
and wrinkling the skin of his forehead up and down. But they had no
audible conversation throughout the whole performance. When, between
the two divisions of the programme, the usual interval occurred for the
relaxation and refreshment of the performers and their audience, Mr.
Westmoreland turned round, with his elbow over the back of his chair,
and appropriated an opportunity to which they had secretly been looking
forward. "So you've got back?" he remarked for the second time. "I
thought you were going to make a round of the country?"
"I shall do it in instalments," replied Mr. Yelverton.
"You won't have time to do much that way, if you are going home again
next month. Will you?"
"I can extend my time a little, if necessary."
"Can you? Oh, I thought there was some awfully urgent business that you
had to get back for--a new costermonger's theatre to open, or a street
Arab's public-house--eh?"
Mr. Westmoreland laughed, as at a good joke that he had got hold
of, but Mr. Yelverton was imperturbably grave. "I have business in
Australia just now," he said, "and I'm going to finish that first."
Here the portly widower, who had overheard the dialogue, leaned over
Patty to join in the conversation. He was a wealthy person of the
name of Smith, who, like Mr. Phillips's father in the _Undiscovered
Country_, had been in business "on that obscure line which divides
the wholesale merchant's social acceptability from the lost condition
of the retail trader," but who, on his retirement with a fortune, had
safely scaled the most exclusive heights of respectability. "I say," he
called out, addressing Mr. Yelverton, "you're not going to write a book
about us, I hope, like Trollope and those fellows? We're suspicious
of people who come here utter strangers, and think they can learn all
about us in two or three weeks."
Mr. Yelverton reassured him upon this point, and then Mrs. Duff-Scott
broke in. "You have not been to call on me yet, Mr. Yelverton."
"No. I hope to have that pleasure to-morrow," he replied. "I am told
that Friday is your reception day."
"Oh, you needn't have waited for that. Any day before four. Come
to-morrow and dine with us, will you? We are going to have a few
friends and a little music in the evening. I suppose you are fond of
music--being here."
Mr. Yelverton said he was very fond of music, though he did not
understand much about it, and that he would be very happy to dine with
her next day. Then, after a little more desultory talk, the orchestra
returned to the stage and began the second overture--from Mozart this
time--and they all became silent listeners again.
Public-domain text, read in full here on John Shaqi.
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