The Three Miss Kings: An Australian StoryCambridge, Ada
History
The Three Miss Kings: An Australian Story
Cambridge, Ada
Australia -- History -- 1788-1900 -- Fiction; Sisters -- Fiction; Young women -- Fiction
They were turning over a vast pile of music, which required at least
half a day to examine properly, when the servant of the house tapped
at the door to ask, with Mr. Brion's compliments, when it would be
convenient to Miss King to receive that gentleman. In a few minutes
father and son were in the room, the former distributing hasty and
paternal greetings all around, and the latter quietly shaking hands
with an air of almost aggressive deliberation. Paul was quite polite,
and to a certain extent friendly, but he was terribly, uncompromisingly
business-like. Not a moment did he waste in mere social amenities,
after shaking hands with Patty--which he did as if he were a wooden
automaton, and without looking at her--but plunged at once into the
matter of the discovered picture, as if time were money and nothing
else of any consequence. Patty's heart sank, but her spirit rose;
she determined not to "let herself down" or in any way to "make an
exhibition of herself," if she could help it. She drew a little aside
from the bureau, and went on turning over the music--which presently
she was able to report valueless as evidence, except negative evidence,
the name, wherever it had been written at the head of a sheet, having
been cut out or erased; while Elizabeth took the remaining articles
from their drawers and pigeon-holes, and piled them on the table and in
Nelly's arms.
For some time they were all intent upon their search, and very silent;
and it still seemed that they were to find nothing in the shape of that
positive proof which Elizabeth, as the head of the family, demanded
before she would give permission for any action to be taken. There were
no names in the old volumes of music, and the fly-leaves had been torn
from the older books. Some pieces of ancient silver plate--a pair of
candlesticks, a pair of salt-cellars, a teapot and sugar basin (now
in daily use), a child's mug, some Queen Anne spoons and ladles--were
all unmarked by crest or monogram; and two ivory-painted miniatures
and three daguerreotypes, representing respectively one old lady in
high-crowned cap and modest kerchief, one young one with puffs all
over her head, and a classic absence of bodice to her gown, one little
fair-haired child, similarly scanty in attire, and one middle-aged
gentleman with a large shirt frill and a prodigious quantity of
neck-cloth--likewise failed to verify themselves by date or inscription
when carefully prised out of their frames and leather cases with Paul
Brion's pen-knife. These family portraits, understood by the girls to
belong to the maternal side of the house, were laid aside, however,
along with the pearl-rimmed locket and other jewels, and the picture
that was found behind the mantelpiece; and then, nothing else being
left, apparently, the two men began an inspection of the papers.
Public-domain text, read in full here on John Shaqi.
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