The Three Miss Kings: An Australian StoryCambridge, Ada
History
The Three Miss Kings: An Australian Story
Cambridge, Ada
Australia -- History -- 1788-1900 -- Fiction; Sisters -- Fiction; Young women -- Fiction
world that (practically) held nobody but him and her. If he looked at
autumnal rain slanting fiercely across the canvas, he thought how he
would protect and shield her in all the storms that might visit her
life--"My plaidie to the angry airt, I'd shelter thee, I'd shelter
thee!" And visions of a fair morning in Thuringia, of a lake in the
Bavarian mountains, of a glacier in the Engadine, and of Venice in
four or five aspects of sunlight and moonlight, suggested his wedding
journey and how beautiful the world she had so longed to see--the world
that he knew so well--would look henceforth, if--if--
There was a step upon the corridor outside, and he turned sharply from
his contemplation of a little picture of an Isle of Wight sunrise to
meet her as she came in. She had been walking hurriedly, but in the
doorway she paused, seeing him striding towards her, and stood for a
moment confused and hesitating, overcome with embarrassment. It was a
bright morning, and she had dressed herself in a delicate linen gown,
fitting easily to the sweeping curves of her noble figure--a gown
over which Mrs. Duff-Scott had spent hours of careful thought and a
considerable amount of money, but which was so simple and unpretending
in its effects as to suggest the domestic needle and the judicious
outlay of a few shillings to those admirable critics of the other sex
who have so little knowledge of such matters and so much good taste;
and all the details of her costume were in harmony with this central
feature--her drooping straw hat, tied with soft Indian muslin under
the chin, her Swedish gloves, her neat French shoes, her parasol--and
the effect was insidious but impressive. She had got herself up
carefully for her lover's eyes, and nobody could have looked less got
up than she. Mr. Yelverton thought how much more charming was a homely
every-day style than the elaborate dressing of the ball-room and the
block, and that it was certainly evident to any sensible person that
a woman like Elizabeth needed no arts of the milliner to make her
attractive. He took her hand in a strong clasp, and held it in silence
for a moment, his left hand laid over her fine unwrinkled glove, while
he looked into her downcast face for some sign of the nature of her
errand.
"Well, my love," he murmured eagerly, "what is it? Don't keep me in
suspense. Is it yes or no, Elizabeth?"
Public-domain text, read in full here on John Shaqi.
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