Adventure and adventurers -- Fiction; France -- History -- Louis XIII, 1610-1643 -- Fiction; Historical fiction; Swordsmen -- Fiction
However, as Porthos had first found an idea, and had thought of it
earnestly afterward, he was the first to act. He was a man of
execution, this worthy Porthos. D’Artagnan perceived him one day
walking toward the church of St. Leu, and followed him instinctively.
He entered, after having twisted his mustache and elongated his
imperial, which always announced on his part the most triumphant
resolutions. As D’Artagnan took some precautions to conceal himself,
Porthos believed he had not been seen. D’Artagnan entered behind him.
Porthos went and leaned against the side of a pillar. D’Artagnan, still
unperceived, supported himself against the other side.
There happened to be a sermon, which made the church very full of
people. Porthos took advantage of this circumstance to ogle the women.
Thanks to the cares of Mousqueton, the exterior was far from announcing
the distress of the interior. His hat was a little napless, his feather
was a little faded, his gold lace was a little tarnished, his laces
were a trifle frayed; but in the obscurity of the church these things
were not seen, and Porthos was still the handsome Porthos.
D’Artagnan observed, on the bench nearest to the pillar against which
Porthos leaned, a sort of ripe beauty, rather yellow and rather dry,
but erect and haughty under her black hood. The eyes of Porthos were
furtively cast upon this lady, and then roved about at large over the
nave.
On her side the lady, who from time to time blushed, darted with the
rapidity of lightning a glance toward the inconstant Porthos; and then
immediately the eyes of Porthos wandered anxiously. It was plain that
this mode of proceeding piqued the lady in the black hood, for she bit
her lips till they bled, scratched the end of her nose, and could not
sit still in her seat.
Porthos, seeing this, retwisted his mustache, elongated his imperial a
second time, and began to make signals to a beautiful lady who was near
the choir, and who not only was a beautiful lady, but still further, no
doubt, a great lady—for she had behind her a Negro boy who had brought
the cushion on which she knelt, and a female servant who held the
emblazoned bag in which was placed the book from which she read the
Mass.
The lady with the black hood followed through all their wanderings the
looks of Porthos, and perceived that they rested upon the lady with the
velvet cushion, the little Negro, and the maid-servant.
During this time Porthos played close. It was almost imperceptible
motions of his eyes, fingers placed upon the lips, little assassinating
smiles, which really did assassinate the disdained beauty.
Then she cried, “Ahem!” under cover of the _mea culpa_, striking her
breast so vigorously that everybody, even the lady with the red
cushion, turned round toward her. Porthos paid no attention.
Nevertheless, he understood it all, but was deaf.
Public-domain text, read in full here on John Shaqi.
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