American fiction -- 19th century; California -- Fiction; Gold mines and mining -- Fiction; Western stories
This was later made more obvious by the arrival of another guest for
whom Steptoe and his party were evidently waiting. He was a short, stout
man, whose heavy red beard was trimmed a little more carefully than when
he was first known to Steptoe as Alky Hall, the drunkard of Heavy Tree
Hill. His dress, too, exhibited a marked improvement in quality and
style, although still characterized in the waist and chest by the
unbuttoned freedom of portly and slovenly middle age. Civilization had
restricted his potations or limited them to certain festivals known as
“sprees,” and his face was less puffy and sodden. But with the accession
of sobriety he had lost his good humor, and had the irritability and
intolerance of virtuous restraint.
“Ye needn't ladle out any of your forty-rod whiskey to me,” he said
querulously to Steptoe, as he filed out with the rest of the party
through the bar-room into the adjacent apartment. “I want to keep my
head level till our business is over, and I reckon it wouldn't hurt you
and your gang to do the same. They're less likely to blab; and there are
few doors that whiskey won't unlock,” he added, as Steptoe turned the
key in the door after the party had entered.
The room had evidently been used for meetings of directors or political
caucuses, and was roughly furnished with notched and whittled armchairs
and a single long deal table, on which were ink and pens. The men sat
down around it with a half-embarrassed, half-contemptuous attitude of
formality, their bent brows and isolated looks showing little community
of sentiment and scarcely an attempt to veil that individual selfishness
that was prominent. Still less was there any essay of companionship or
sympathy in the manner of Steptoe as he suddenly rapped on the table
with his knuckles.
Public-domain text, read in full here on John Shaqi.
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