The Three Perils of Man; or, War, Women, and Witchcraft, Vol. 1 (of 3)Hogg, James
History
The Three Perils of Man; or, War, Women, and Witchcraft, Vol. 1 (of 3)
Hogg, James
Historical fiction; Scotland -- History -- Robert II, 1371-1390 -- Fiction
The friar spurred most furiously, but the mule only dashed his head
downward and his heels in a contrary direction, and kept his position.
All the rest were like to burst with laughter, which still increasing
the bard's insolence, he fumed about enchantments and the black art, and
dared the friar to turn and look him in the face.
What with one provocation, what with another, the friar's angry passions
were roused; and, not being able to make his mule turn round, he drew
out his sword, saying at the same time in a voice of great vehemence,
"God do so to me and more also, if I make not--"
He got no farther with his speech, for the mule interrupted him.
Obstinate as the brute was, the sight of the sword, and the sound of his
master's angry voice operated on him like magic. Perhaps he understood
that all further opposition was vain,--for in one moment he wheeled
around, his eyes gleaming with rage; and pricking up his ears to see
where the storm of his and his master's wrath was to alight, he
perceived the poet on his tall steed, brandishing his dazzling sword,
and forthwith darted at them with the swiftness of an arrow, and a fury
not to be checked. There were no more words nor threatenings passed
between the enraged combatants; for more space of time there was none
before the mule had his shoulder to that of the poet's steed, his teeth
fixed in his flank, and was pushing with the fury of an enraged bull.
On the closing of the two steeds the riders likewise engaged, the poet
coming on with a downward stroke, which the friar received with great
indifference on his sword crossed above his cowl. But knowing well the
nature of his beast, he kept up the poet's sword and arm both, until the
sides of the two animals were jammed together, as the rider of the
mule well knew they would be. By that time the poet's arm was pressed
up straight by his ear, and his sword pointed to heaven; and in
endeavouring to free his elbow from the hilt of the friar's sword, he
lost his balance. At the same instant their feet encountering in the
stirrups, and the friar's being below that of his opponent, he gave him
such a ketch with his right foot and sword-arm together, that he made
him fly from his horse to a great distance, in a sort of arching
direction; and the unfortunate poet, falling on his shoulder and head,
was wofully bruised, and utterly discomfited.
Public-domain text, read in full here on John Shaqi.
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