The Three Perils of Man; or, War, Women, and Witchcraft, Vol. 3 (of 3)Hogg, James
History
The Three Perils of Man; or, War, Women, and Witchcraft, Vol. 3 (of 3)
Hogg, James
Historical fiction; Scotland -- History -- Robert II, 1371-1390 -- Fiction
I saw distinctly by the light of the flame that
surrounded them, and marked every twist of the features, and every
quiver of the convulsed limbs; yet these were not more impressive than
the joy of the exulting fiend, who continued to caress and kiss his
agonized mate to the last, and called her his love, and his darling,
and his heart's delight. At length the distortions of the human
countenance reached their acme--the shrivelled bosom forgot to throb,
and, with the expiry of the mortal spark, the lurid flame that burnt
around them also went out, and all was darkness, There was no bower,
no chamber, no bridal bed, but a cold winter soil; and I thought that,
through the gloom, I perceived the couple still lying on it.
As I could get no rest all that night for thinking of the terrible
scene I had witnessed, as soon as the sun rose next morning I went out
to the bowling-green, but found nothing there save the strangled body
of the wretched woman,--a dismal and humbling sight,--squeezed almost
to a jelly, and every bone broken as if it had been smashed on an
anvil. Being curious to examine her robes in which she appeared with
such splendour the evening before, and her jewels, part of which I had
seen her lay carefully aside, I took every thing up as it lay. Her
robes were a small heap of the most wretched rags imaginable: her
pearl necklace was a string of dead beetles, and her diamond rings
pieces of thread, on which were fastened small knots of clay, and
every thing else proportionally mean. While I was standing considering
this vile degradation that had taken place, I heard a voice at a
little distance that called to me and said, "Gibbie Jordan! Gibbie
Jordan! why standest thou in amazement at a true emblem of all worldly
grandeur! It is all equally unreal and unsubstantial as that on which
thou lookest, and to that it must all come at last."
'Hout, friend,' thought I, 'it canna surely be a' sae perfectly unreal
as this, else what does it signify?' But a' that I could look and
glime about, I could never discover the speaker that said this; and
when I thought seriously of the matter, I found that it comes a' to
the same thing in the end.
"Honest friend, thou hast again illustrated a momentous moral truth,"
said the abbot,--"and I thank thee for it. Thou hast the art, in thy
simplicity, of extracting more good out of real evil than any expounder
of divine truths throughout the land. Thou art both a moral and a
natural philosopher, and I intend conferring on thee some benefice under
the church, that thy talents may no longer remain locked up in a helmet.
Prithee, go on with thy extraordinary narrative; but these witch
weddings are too horrible for mortal ears."
Public-domain text, read in full here on John Shaqi.
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