Three drums (which at least, took two, and sometimes three men to carry them) were now brought in; and seventy men sat down as a chorus to the third dance. This consisted of two ranks, of sixteen persons each, with young Toobou at their head, who was richly ornamented with a sort of garment covered with red feathers. These danced, sung, and twirled the _pagge_, as before; but in general, much quicker, and performed so well, that they had the constant applauses of the spectators. A motion that met with particular approbation, was one in which they held the face aside, as if ashamed, and the _pagge_ before it. The back rank closed before the front one, and that again resumed its place, as in the two former dances; but then they began again, formed a triple row, divided, retreated to each end of the area, and left the greatest part of the ground clear. At that instant, two men entered very hastily, and exercised the clubs which they use in battle. They did this, by first twirling them in their hands, and making circular strokes before them with great force and quickness; but so skilfully managed, that, though standing quite close, they never interfered. They shifted their clubs from hand to hand, with great dexterity; and after continuing a little time, kneeled, and made different motions, tossing the clubs up in the air, which they caught as they fell, and then went off as hastily as they entered. Their heads were covered with pieces of white cloth, tied at the crown (almost like a night-cap) with a wreath of foliage round the forehead; but they had only very small pieces of white cloth tied about their waists; probably, that they might be cool, and free from every incumbrance or weight. A person with a spear, dressed like the former, then came in, and in the same hasty manner; looking about eagerly, as if in search of somebody to throw it at. He then ran hastily to one side of the crowd in the front, and put himself in a threatening attitude, as if he meant to strike with his spear at one of them, bending the knee a little, and trembling, as it were with rage. He continued in this manner only a few seconds, when he moved to the other side, and having stood in the same posture there, for the same short time, retreated from the ground, as fast as when he made his appearance. The dancers, who had divided into two parties, kept repeating something slowly all this while; and now advanced, and joined again, ending with universal applause. It should seem, that this dance was considered as one of their capital performances, if we might judge from some of the principal people being engaged in it. For one of the drums was beat by Futtafaihe, the brother of Poulaho, another by Feenou, and the third, which did not belong to the chorus, by Mareewagee himself, at the entrance of his hut.