“What may be called the ‘gate etiquette’ in Japan is elaborate and detailed. More than once have the foreign teachers, denizens, and tourists, had quarrels with the Japanese school, municipal, and national authorities, because they unwittingly often violated ancient Japanese traditions and customs. I myself remember how the _mom-ban_, or gate-keeper, used to refuse admittance to my _jin-riki-sha_ because I had sitting with me a Japanese student or lad, who could not, in native ideas of propriety, share with me (a guest) the honor of riding inside the chief gate of mansion or college. Concerning troubles with native servants and others, who were inclined to shelter themselves under the foreigners’ prestige and privilege, I need not speak in detail. The term ‘Mikado,’ as you may know, is literally Sublime Porte, Awful Gate, or Portal of Majesty. I believe there is profound significance in the idea of having the gateway to a Buddhist temple a structure which is in many cases almost as imposing as the sacred edifice itself. Each Shintō shrine has before it, at some distance, a _tori-i_; and every little wayside shrine, in size from a doll-house to a one-room cottage, has almost invariably a little _tori-i_, or gateway, before it. “The most elaborate ceremonies and gradations of honor are connected with the threshold of the Imperial Palace, and for a thousand years or more were rigorously observed in Kioto, and doubtless to great extent are yet in the new palace in Tokio. “In a Japanese marriage, when conducted on the old order of ceremonies, the origin of which goes back into primeval twilight, the bride goes from her own home always to be married in her husband’s home and to become a part of it. As she approaches her new home, fires are lighted on either side of the threshold or door of entrance of the bridegroom’s house. The name of these fires is ‘garden torches.’ As she proceeds up the corridor, inside the house, two pairs of men and women, one on each side, have mortars in which they pound rice. As the palanquin passes, the two mortars are moved together, and the meal from the two is mixed so as to become one mess. During the same time two candles have been lighted on either side of the passage way, and after the passing of the palanquin, the two flames are first joined in one and then blown out. Of course, these ceremonies are _now_ used only among the higher classes. “In all the Buddhist temples beside the great gateway and the ordinary temple entrance there is a distinctly marked sill, behind which is the altar, and over which the worshiper must not come.