This prominence given to the threshold in earlier Greek literature is not, it is true, continued in later writings; yet there are traces of it still in occasional poetic references to the “threshold of life,” and the “threshold of the year,” and the “threshold of old age.” When Homer refers “to houses, to rooms in houses, or to courtyards, the ‘threshold’ is constantly spoken of: a man steps over a threshold, stands at a threshold, sits at a threshold, etc. And so important is the threshold that its material is almost regularly mentioned; it is ash, oak, stone, bronze, etc. In later times all these locutions disappear; men go through doorways, enter, stand in porches, etc., instead.”[394] Yet it is the archaic use that points to the primitive prominence of the threshold. In historic times, however, as in earlier, the altar of sacrifice was to be found, in Grecian and Roman temples, near the threshold of the door. While there were smaller altars, for the offering of incense and bloodless sacrifices, in the interior of temples, the larger and more important altars, for the offering of animal sacrifices, whether of beasts or of men, were before the temple, in front of the threshold,–_bomoi pronaoi_.[395] A ruined temple of Artemis Propylæa, at Eleusis, shows the main altar immediately before the threshold, between the antæ. The altar of the temple of Apollo at Delphi was in a like position; as shown in the fact that “when Neoptolemus is attacked by Orestes in the vestibule of the temple at Delphi, he seizes the arms which were suspended by means of nails or pins from one of the antæ, takes his station upon the altar, and addresses the people in his own defense.”[396] When the “priest of Jupiter, whose temple was before the city” of Lystra, would have given divine honors to Paul and Barnabas, he brought the garlanded oxen “unto the gates,” to sacrifice them there. At the gate of the city, within which the supposed gods were to be found, seemed the proper place of sacrifice.[397]