"If we were to wait ten years do you think I'd love her any more than I
do now?" he demanded of Emily. "I should think he'd understand."
"Men never do understand," said Emily--"fathers. They think their own
romance was unique, or they forget that there was ever any romance."
"If you could put in a word for us," ventured Derry.
"I am not sure that it would do any good; Bruce is a Turk."
A customer came, and Derry lingered disconsolately while Emily served
her. More customers, among them a tall spare man with an upstanding
bush of gray hair. He had a potted plant in his arms, wrapped in
tissue paper. He set it on the counter and went away.
When Miss Emily discovered the plant, she asked Derry, "Who put it
there?"
Derry described the man. "You were busy. He didn't stop."
The plant was a cyclamen, blood-red and beautiful.
Miss Emily managed to remark casually that she had loaned his father an
elephant, perhaps he had felt that he ought to make some return--but he
needn't--.
"_An elephant_?"
"Not a real one. But the last of my plush beauties."
She set the cyclamen on a shelf, and wrapped up the parcel of toys
which Derry had bought the day before, "I may as well take them to
Margaret Morgan's kiddies," he told her. "I want to tell her about
Jean."
After Derry had gone, Miss Emily stood looking at the cyclamen on the
shelf. It was a lovely thing, with a dozen blooms. She wished that
her benefactor had stayed to let her thank him. She was not sure that
she even knew where to send a note.
She hunted him up in the telephone book, and found him--Ulrich Stoelle.
His hot-houses were on the old Military Road. She remembered now to
have seen them, and to have remarked the house, which was peaked up in
several gables, and had quaint brightly-colored iron figures set about
the garden--with pointed caps like the graybeards in Rip van Winkle, or
the dwarf in Rumpelstiltzkin.
When Derry's car slid up to Margaret's door, he saw the two children at
an upper window. They waved to him as he rang the bell. He waited
several moments and no one came to open the door. He turned the knob
and, finding it unlatched, let himself in.
As he went through the hall he was aware of a strange stillness. Not a
maid was in sight. Passing Margaret's room on the second floor he
heard voices.
The children were alone in the nursery. He was flooded with sunlight.
Margaret-Mary's pink wash frock, Teddy's white linen--yellow jonquils
in a blue bow--snowy lambs gambolling on a green frieze--Bo-peeps,
flying ribbons--it was a cheering and charming picture.
"How gay you are," said Derry.
"We are not gay in our hearts," Teddy told him.
"Why not?"
"Mother's crying--we heard her, and then Nurse went down and left us,
and we looked out of the window and you came."
Derry's heart seemed to stop beating. "Crying?"
Even as he spoke, Margaret stood on the threshold. There were no
tears, but it was worse than tears.
Public-domain text, read in full here on John Shaqi.
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