The Tinguian: Social, Religious, and Economic Life of a Philippine TribeCole, Fay-Cooper
Religion
The Tinguian: Social, Religious, and Economic Life of a Philippine Tribe
Cole, Fay-Cooper
Tinguian (Philippine people)
The hair is worn long, and is parted straight down the middle; the
two strands are twisted, crossed in the back, then carried to the
forehead, where they are again crossed, and the ends are fastened
by intertwining on each side of the head. A bark band (_ayabong_)
holds the hair in place, but at times it is replaced by a cloth or
a narrow ring of interwoven grass and rattan. Round bamboo hats,
with low dome-shaped tops, are commonly worn (Plate XLV), but these
are sometimes displaced by hats which go to a sharp peak, or by those
made of a gourd or of wood.
The woman's hair is parted in the middle, and is combed straight down
to the nape of the neck, where it is caught by strings of beads;
these are crossed in the back and encircle the head; the strand of
hair is then twisted and a loop formed which is carried to the left
side, where it is again caught under the beads, near to or above
the ear. Most of the Tinguian have luxuriant heads of hair, but,
nevertheless, switches are commonly used by both sexes. The hair is
often washed with the ashes of rice-straw, or with the bark of the
_gogo_ tree (_Entada purseta_), and is moistened with coconut oil.
Strings of beads encircle the women's necks, but the typical ornament
consists of strands above strands of beads reaching from the wrist
to the elbow, and if the wealth of the owner permits, even covering
the upper arm as well (Plate LXXIX). The strands are fastened tightly
above the wrist, causing that portion of the arm to swell. Slits of
bamboo are usually placed under the beads, and may be removed if the
pain or annoyance of the constriction is too severe. The upper arm
beads are removed with little difficulty; but those on the forearm are
taken off only once or twice a year, when new threads are substituted,
or when the owner is in mourning. Beneath these ornaments a delicate
fretwork of blue lines is tattooed, so that the woman's arms may not
be white and unsightly when she is without her beads. [244]
Most of the women have their ears pierced, but in the valley towns
only a small proportion wear earrings. In the mountain sections heavy
ornaments of gold or copper are worn, the weight often drawing the
lobe of the ear far down on the neck.
When at work, the woman discards all clothing from the upper portion
of her body, but at other times wears a short-sleeved jacket which
reaches to her waist (Plate LXXVII). The waist is cut so low in the
neck that the head can pass through. There is no shoulder seam. A
straight piece set over the shoulder extends down in square, both
front and back, to a line about even with the breast, where it is
sewed to the garment proper. A narrow skirt (_dingwa_), with colored
border, extends from the waist to the knees. It is held in place by
drawing it tightly and then tucking one corner under the upper edge,
or by pressing it beneath the girdle (Plate LXXVIII).
Public-domain text, read in full here on John Shaqi.
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