Capitalists and financiers -- Fiction; Chicago (Ill.) -- Fiction; Psychological fiction
The office was clean, hard, bright, like Cowperwood himself. The
morning sun, streaming in through an almost solid glass east front
shaded by pale-green roller curtains, came to have an almost romantic
atmosphere for her. Cowperwood’s private office, as in Philadelphia,
was a solid cherry-wood box in which he could shut himself
completely—sight-proof, sound-proof. When the door was closed it was
sacrosanct. He made it a rule, sensibly, to keep his door open as much
as possible, even when he was dictating, sometimes not. It was in these
half-hours of dictation—the door open, as a rule, for he did not care
for too much privacy—that he and Miss Nowak came closest. After months
and months, and because he had been busy with the other woman
mentioned, of whom she knew nothing, she came to enter sometimes with a
sense of suffocation, sometimes of maidenly shame. It would never have
occurred to her to admit frankly that she wanted Cowperwood to make
love to her. It would have frightened her to have thought of herself as
yielding easily, and yet there was not a detail of his personality that
was not now burned in her brain. His light, thick, always smoothly
parted hair, his wide, clear, inscrutable eyes, his carefully manicured
hands, so full and firm, his fresh clothing of delicate, intricate
patterns—how these fascinated her! He seemed always remote except just
at the moment of doing something, when, curiously enough, he seemed
intensely intimate and near.
One day, after many exchanges of glances in which her own always fell
sharply—in the midst of a letter—he arose and closed the half-open
door. She did not think so much of that, as a rule—it had happened
before—but now, to-day, because of a studied glance he had given her,
neither tender nor smiling, she felt as though something unusual were
about to happen. Her own body was going hot and cold by turns—her neck
and hands. She had a fine figure, finer than she realized, with shapely
limbs and torso. Her head had some of the sharpness of the old Greek
coinage, and her hair was plaited as in ancient cut stone. Cowperwood
noted it. He came back and, without taking his seat, bent over her and
intimately took her hand.
“Antoinette,” he said, lifting her gently.
She looked up, then arose—for he slowly drew her—breathless, the color
gone, much of the capable practicality that was hers completely
eliminated. She felt limp, inert. She pulled at her hand faintly, and
then, lifting her eyes, was fixed by that hard, insatiable gaze of his.
Her head swam—her eyes were filled with a telltale confusion.
“Antoinette!”
“Yes,” she murmured.
“You love me, don’t you?”
Public-domain text, read in full here on John Shaqi.
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