Capitalists and financiers -- Fiction; Chicago (Ill.) -- Fiction; Psychological fiction
Cowperwood laughed even as she laughed, for he knew she was right and
he felt sorry for her. At the same time her biting humor pleased him.
He knew that she did not really suspect him of actual infidelity; he
was obviously so fond of her. But she also knew that he was innately
attractive to women, and that there were enough of the philandering
type to want to lead him astray and make her life a burden. Also that
he might prove a very willing victim.
Sex desire and its fruition being such an integral factor in the
marriage and every other sex relation, the average woman is prone to
study the periodic manifestations that go with it quite as one
dependent on the weather—a sailor, or example—might study the
barometer. In this Aileen was no exception. She was so beautiful
herself, and had been so much to Cowperwood physically, that she had
followed the corresponding evidences of feeling in him with the utmost
interest, accepting the recurring ebullitions of his physical emotions
as an evidence of her own enduring charm. As time went on, however—and
that was long before Mrs. Sohlberg or any one else had appeared—the
original flare of passion had undergone a form of subsidence, though
not noticeable enough to be disturbing. Aileen thought and thought, but
she did not investigate. Indeed, because of the precariousness of her
own situation as a social failure she was afraid to do so.
With the arrival of Mrs. Sohlberg and then of Antoinette Nowak as
factors in the potpourri, the situation became more difficult. Humanly
fond of Aileen as Cowperwood was, and because of his lapses and her
affection, desirous of being kind, yet for the time being he was
alienated almost completely from her. He grew remote according as his
clandestine affairs were drifting or blazing, without, however, losing
his firm grip on his financial affairs, and Aileen noticed it. It
worried her. She was so vain that she could scarcely believe that
Cowperwood could long be indifferent, and for a while her sentimental
interest in Sohlberg’s future and unhappiness of soul beclouded her
judgment; but she finally began to feel the drift of affairs. The
pathos of all this is that it so quickly descends into the realm of the
unsatisfactory, the banal, the pseudo intimate. Aileen noticed it at
once. She tried protestations. “You don’t kiss me the way you did
once,” and then a little later, “You haven’t noticed me hardly for four
whole days. What’s the matter?”
“Oh, I don’t know,” replied Cowperwood, easily; “I guess I want you as
much as ever. I don’t see that I am any different.” He took her in his
arms and petted and caressed her; but Aileen was suspicious, nervous.
Public-domain text, read in full here on John Shaqi.
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