Capitalists and financiers -- Fiction; Chicago (Ill.) -- Fiction; Psychological fiction
Aileen
hesitated for a moment, feeling it useless to wait, then she ordered
the coachman to drive to her husband’s office. It was now nearly five
o’clock. Antoinette and Cowperwood had both gone, but she did not know
it. She changed her mind, however, before she reached the office—for it
was Rita Sohlberg she wished to reach first—and ordered her coachman to
drive back to the Sohlberg studio. But still they had not returned. In
a kind of aimless rage she went home, wondering how she should reach
Rita Sohlberg first and alone. Then, to her savage delight, the game
walked into her bag. The Sohlbergs, returning home at six o’clock from
some reception farther out Michigan Avenue, had stopped, at the wish of
Harold, merely to pass the time of day with Mrs. Cowperwood. Rita was
exquisite in a pale-blue and lavender concoction, with silver braid
worked in here and there. Her gloves and shoes were pungent bits of
romance, her hat a dream of graceful lines. At the sight of her,
Aileen, who was still in the hall and had opened the door herself,
fairly burned to seize her by the throat and strike her; but she
restrained herself sufficiently to say, “Come in.” She still had sense
enough and self-possession enough to conceal her wrath and to close the
door. Beside his wife Harold was standing, offensively smug and
inefficient in the fashionable frock-coat and silk hat of the time, a
restraining influence as yet. He was bowing and smiling:
“Oh.” This sound was neither an “oh” nor an “ah,” but a kind of Danish
inflected “awe,” which was usually not unpleasing to hear. “How are
you, once more, Meeses Cowperwood? It eez sudge a pleasure to see you
again—awe.”
“Won’t you two just go in the reception-room a moment,” said Aileen,
almost hoarsely. “I’ll be right in. I want to get something.” Then, as
an afterthought, she called very sweetly: “Oh, Mrs. Sohlberg, won’t you
come up to my room for a moment? I have something I want to show you.”
Rita responded promptly. She always felt it incumbent upon her to be
very nice to Aileen.
“We have only a moment to stay,” she replied, archly and sweetly, and
coming out in the hall, “but I’ll come up.”
Aileen stayed to see her go first, then followed up-stairs swiftly,
surely, entered after Rita, and closed the door. With a courage and
rage born of a purely animal despair, she turned and locked it; then
she wheeled swiftly, her eyes lit with a savage fire, her cheeks pale,
but later aflame, her hands, her fingers working in a strange,
unconscious way.
“So,” she said, looking at Rita, and coming toward her quickly and
angrily, “you’ll steal my husband, will you? You’ll live in a secret
apartment, will you? You’ll come here smiling and lying to me, will
you? You beast! You cat! You prostitute! I’ll show you now! You
tow-headed beast! I know you now for what you are! I’ll teach you once
for all! Take that, and that, and that!”
Public-domain text, read in full here on John Shaqi.
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