Capitalists and financiers -- Fiction; Chicago (Ill.) -- Fiction; Psychological fiction
Aileen, conscious of things being done for Rita, of sympathy being
extended to her, tried to get up, to scream again; but she couldn’t;
her lord and master held her in an ugly hold. When the door was closed
he said again: “Now, Aileen, will you hush? Will you let me get up and
talk to you, or must we stay here all night? Do you want me to drop you
forever after to-night? I understand all about this, but I am in
control now, and I am going to stay so. You will come to your senses
and be reasonable, or I will leave you to-morrow as sure as I am here.”
His voice rang convincingly. “Now, shall we talk sensibly, or will you
go on making a fool of yourself—disgracing me, disgracing the house,
making yourself and myself the laughing-stock of the servants, the
neighborhood, the city? This is a fine showing you’ve made to-day. Good
God! A fine showing, indeed! A brawl in this house, a fight! I thought
you had better sense—more self-respect—really I did. You have seriously
jeopardized my chances here in Chicago. You have seriously injured and
possibly killed a woman. You could even be hanged for that. Do you hear
me?”
“Oh, let them hang me,” groaned Aileen. “I want to die.”
He took away his hand from her mouth, loosened his grip upon her arms,
and let her get to her feet. She was still torrential, impetuous, ready
to upbraid him, but once standing she was confronted by him, cold,
commanding, fixing her with a fishy eye. He wore a look now she had
never seen on his face before—a hard, wintry, dynamic flare, which no
one but his commercial enemies, and only those occasionally, had seen.
“Now stop!” he exclaimed. “Not one more word! Not one! Do you hear me?”
She wavered, quailed, gave way. All the fury of her tempestuous soul
fell, as the sea falls under a lapse of wind. She had had it in heart,
on her lips, to cry again, “You dog! you brute!” and a hundred other
terrible, useless things, but somehow, under the pressure of his gaze,
the hardness of his heart, the words on her lips died away. She looked
at him uncertainly for a moment, then, turning, she threw herself on
the bed near by, clutched her cheeks and mouth and eyes, and, rocking
back and forth in an agony of woe, she began to sob:
“Oh, my God! my God! My heart! My life! I want to die! I want to die!”
Standing there watching her, there suddenly came to Cowperwood a keen
sense of her soul hurt, her heart hurt, and he was moved.
“Aileen,” he said, after a moment or two, coming over and touching her
quite gently, “Aileen! Don’t cry so. I haven’t left you yet. Your life
isn’t utterly ruined. Don’t cry. This is bad business, but perhaps it
is not without remedy. Come now, pull yourself together, Aileen!”
For answer she merely rocked and moaned, uncontrolled and
uncontrollable.
Public-domain text, read in full here on John Shaqi.
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