Capitalists and financiers -- Fiction; Chicago (Ill.) -- Fiction; Psychological fiction
Reassured as to Rita’s condition, he went back to Aileen’s room to
plead with her again—to soothe her if he could. He found her up and
dressing, a new thought and determination in her mind. Since she had
thrown herself on the bed sobbing and groaning, her mood had gradually
changed; she began to reason that if she could not dominate him, could
not make him properly sorry, she had better leave. It was evident, she
thought, that he did not love her any more, seeing that his anxiety to
protect Rita had been so great; his brutality in restraining her so
marked; and yet she did not want to believe that this was so. He had
been so wonderful to her in times past. She had not given up all hope
of winning a victory over him, and these other women—she loved him too
much—but only a separation would do it. That might bring him to his
senses. She would get up, dress, and go down-town to a hotel. He should
not see her any more unless he followed her. She was satisfied that she
had broken up the liaison with Rita Sohlberg, anyway for the present,
and as for Antoinette Nowak, she would attend to her later. Her brain
and her heart ached. She was so full of woe and rage, alternating, that
she could not cry any more now. She stood before her mirror trying with
trembling fingers to do over her toilet and adjust a street-costume.
Cowperwood was disturbed, nonplussed at this unexpected sight.
“Aileen,” he said, finally, coming up behind her, “can’t you and I talk
this thing over peacefully now? You don’t want to do anything that
you’ll be sorry for. I don’t want you to. I’m sorry. You don’t really
believe that I’ve ceased to love you, do you? I haven’t, you know. This
thing isn’t as bad as it looks. I should think you would have a little
more sympathy with me after all we have been through together. You
haven’t any real evidence of wrong-doing on which to base any such
outburst as this.”
“Oh, haven’t I?” she exclaimed, turning from the mirror, where,
sorrowfully and bitterly, she was smoothing her red-gold hair. Her
cheeks were flushed, her eyes red. Just now she seemed as remarkable to
him as she had seemed that first day, years ago, when in a red cape he
had seen her, a girl of sixteen, running up the steps of her father’s
house in Philadelphia. She was so wonderful then. It mellowed his mood
toward her.
“That’s all you know about it, you liar!” she declared. “It’s little
you know what I know. I haven’t had detectives on your trail for weeks
for nothing. You sneak! You’d like to smooth around now and find out
what I know. Well, I know enough, let me tell you that. You won’t fool
me any longer with your Rita Sohlbergs and your Antoinette Nowaks and
your apartments and your houses of assignation. I know what you are,
you brute! And after all your protestations of love for me! Ugh!”
Public-domain text, read in full here on John Shaqi.
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