After Stephanie had been back in Chicago six months, during which time she saw very little of Cowperwood, who was busy with his street-railway programme, she was swept into the net of another interest which carried her away from him and Aileen for the time being. On the West Side, among a circle of her mother’s friends, had been organized an Amateur Dramatic League, with no less object than to elevate the stage. That world-old problem never fails to interest the new and the inexperienced. It all began in the home of one of the new rich of the West Side—the Timberlakes. They, in their large house on Ashland Avenue, had a stage, and Georgia Timberlake, a romantic-minded girl of twenty with flaxen hair, imagined she could act. Mrs. Timberlake, a fat, indulgent mother, rather agreed with her. The whole idea, after a few discursive performances of Milton’s “The Masque of Comus,” “Pyramus and Thisbe,” and an improved Harlequin and Columbine, written by one of the members, was transferred to the realm of the studios, then quartered in the New Arts Building. An artist by the name of Lane Cross, a portrait-painter, who was much less of an artist than he was a stage director, and not much of either, but who made his living by hornswaggling society into the belief that he could paint, was induced to take charge of these stage performances. By degrees the “Garrick Players,” as they chose to call themselves, developed no little skill and craftsmanship in presenting one form and another of classic and semi-classic play. “Romeo and Juliet,” with few properties of any kind, “The Learned Ladies” of Moliere, Sheridan’s “The Rivals,” and the “Elektra” of Sophocles were all given. Considerable ability of one kind and another was developed, the group including two actresses of subsequent repute on the American stage, one of whom was Stephanie Platow. There were some ten girls and women among the active members, and almost as many men—a variety of characters much too extended to discuss here. There was a dramatic critic by the name of Gardner Knowles, a young man, very smug and handsome, who was connected with the Chicago _Press_. Whipping his neatly trousered legs with his bright little cane, he used to appear at the rooms of the players at the Tuesday, Thursday, and Saturday teas which they inaugurated, and discuss the merits of the venture. Thus the Garrick Players were gradually introduced into the newspapers. Lane Cross, the smooth-faced, pasty-souled artist who had charge, was a rake at heart, a subtle seducer of women, who, however, escaped detection by a smooth, conventional bearing. He was interested in such girls as Georgia Timberlake, Irma Ottley, a rosy, aggressive maiden who essayed comic roles, and Stephanie Platow. These, with another girl, Ethel Tuckerman, very emotional and romantic, who could dance charmingly and sing, made up a group of friends which became very close. Presently intimacies