Capitalists and financiers -- Fiction; Chicago (Ill.) -- Fiction; Psychological fiction
It chanced that shortly before this liaison was broken off, some
troubling information was quite innocently conveyed to Aileen by
Stephanie Platow’s own mother. One day Mrs. Platow, in calling on Mrs.
Cowperwood, commented on the fact that Stephanie was gradually
improving in her art, that the Garrick Players had experienced a great
deal of trouble, and that Stephanie was shortly to appear in a new
role—something Chinese.
“That was such a charming set of jade you gave her,” she volunteered,
genially. “I only saw it the other day for the first time. She never
told me about it before. She prizes it so very highly, that I feel as
though I ought to thank you myself.”
Aileen opened her eyes. “Jade!” she observed, curiously. “Why, I don’t
remember.” Recalling Cowperwood’s proclivities on the instant, she was
suspicious, distraught. Her face showed her perplexity.
“Why, yes,” replied Mrs. Platow, Aileen’s show of surprise troubling
her. “The ear-rings and necklet, you know. She said you gave them to
her.”
“To be sure,” answered Aileen, catching herself as by a hair. “I do
recall it now. But it was Frank who really gave them. I hope she likes
them.”
She smiled sweetly.
“She thinks they’re beautiful, and they do become her,” continued Mrs.
Platow, pleasantly, understanding it all, as she fancied. The truth was
that Stephanie, having forgotten, had left her make-up box open one day
at home, and her mother, rummaging in her room for something, had
discovered them and genially confronted her with them, for she knew the
value of jade. Nonplussed for the moment, Stephanie had lost her
mental, though not her outward, composure and referred them back
casually to an evening at the Cowperwood home when Aileen had been
present and the gauds had been genially forced upon her.
Unfortunately for Aileen, the matter was not to be allowed to rest just
so, for going one afternoon to a reception given by Rhees Crier, a
young sculptor of social proclivities, who had been introduced to her
by Taylor Lord, she was given a taste of what it means to be a
neglected wife from a public point of view. As she entered on this
occasion she happened to overhear two women talking in a corner behind
a screen erected to conceal wraps. “Oh, here comes Mrs. Cowperwood,”
said one. “She’s the street-railway magnate’s wife. Last winter and
spring he was running with that Platow girl—of the Garrick Players, you
know.”
The other nodded, studying Aileen’s splendiferous green—velvet gown
with envy.
“I wonder if she’s faithful to him?” she queried, while Aileen strained
to hear. “She looks daring enough.”
Aileen managed to catch a glimpse of her observers later, when they
were not looking, and her face showed her mingled resentment and
feeling; but it did no good. The wretched gossipers had wounded her in
the keenest way. She was hurt, angry, nonplussed. To think that
Cowperwood by his variability should expose her to such gossip as this!
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account