Lynde, who was seeking for any pretext whereby he might prolong his stay and overcome her nervous mood, accepted, pretending, however, that he was merely passing and with a moment to spare. “Thought I’d get just one glimpse of you again. Couldn’t resist the temptation to look in. Stunning room, isn’t it? Spacious—and there you are! Who did that? Oh, I see—Van Beers. And a jolly fine piece of work it is, too, charming.” He surveyed her and then turned back to the picture where, ten years younger, buoyant, hopeful, carrying her blue-and-white striped parasol, she sat on a stone bench against the Dutch background of sky and clouds. Charmed by the picture she presented in both cases, he was genially complimentary. To-day she was stouter, ruddier—the fiber of her had hardened, as it does with so many as the years come on; but she was still in full bloom—a little late in the summer, but in full bloom. “Oh yes; and this Rembrandt—I’m surprised! I did not know your husband’s collection was so representative. Israels, I see, and Gerome, and Meissonier! Gad! It is a representative collection, isn’t it?” “Some of the things are excellent,” she commented, with an air, aping Cowperwood and others, “but a number will be weeded out eventually—that Paul Potter and this Goy—as better examples come into the market.” She had heard Cowperwood say as much, over and over. Finding that conversation was possible between them in this easy, impersonal way, Aileen became quite natural and interested, pleased and entertained by his discreet and charming presence. Evidently he did not intend to pay much more than a passing social call. On the other hand, Lynde was studying her, wondering what effect his light, distant air was having. As he finished a very casual survey of the gallery he remarked: “I have always wondered about this house. I knew Lord did it, of course, and I always heard it was well done. That is the dining-room, I suppose?” Aileen, who had always been inordinately vain of the house in spite of the fact that it had proved of small use socially, was delighted to show him the remainder of the rooms. Lynde, who was used, of course, to houses of all degrees of material splendor—that of his own family being one of the best—pretended an interest he did not feel. He commented as he went on the taste of the decorations and wood-carving, the charm of the arrangement that permitted neat brief vistas, and the like. “Just wait a moment,” said Aileen, as they neared the door of her own boudoir. “I’ve forgotten whether mine is in order. I want you to see that.” She opened it and stepped in. “Yes, you may come,” she called. He followed. “Oh yes, indeed. Very charming. Very graceful—those little lacy dancing figures—aren’t they? A delightful color scheme. It harmonizes with you exactly. It is quite like you.”