Capitalists and financiers -- Fiction; Chicago (Ill.) -- Fiction; Psychological fiction
He stood now, fully dressed, in the center of the rug before her, and
Aileen looked at him, keen, valiant, handsome—her old Frank. Once again
she regretted her nominal faithlessness, and raged at him in her heart
for his indifference. “You dog,” she was about to add, “you have no
heart!” but she changed her mind. Her throat tightened and her eyes
filled. She wanted to run to him and say: “Oh, Frank, don’t you
understand how it all is, how it all came about? Won’t you love me
again—can’t you?” But she restrained herself. It seemed to her that he
might understand—that he would, in fact—but that he would never again
be faithful, anyhow. And she would so gladly have discarded Lynde and
any and all men if he would only have said the word, would only have
really and sincerely wished her to do so.
It was one day not long after their morning quarrel in her bedroom that
Cowperwood broached the matter of living in New York to Aileen,
pointing out that thereby his art-collection, which was growing
constantly, might be more suitably housed, and that it would give her a
second opportunity to enter social life.
“So that you can get rid of me out here,” commented Aileen, little
knowing of Berenice Fleming.
“Not at all,” replied Cowperwood, sweetly. “You see how things are.
There’s no chance of our getting into Chicago society. There’s too much
financial opposition against me here. If we had a big house in New
York, such as I would build, it would be an introduction in itself.
After all, these Chicagoans aren’t even a snapper on the real society
whip. It’s the Easterners who set the pace, and the New-Yorkers most of
all. If you want to say the word, I can sell this place and we can live
down there, part of the time, anyhow. I could spend as much of my time
with you there as I have been doing here—perhaps more.”
Because of her soul of vanity Aileen’s mind ran forward in spite of
herself to the wider opportunities which his words suggested. This
house had become a nightmare to her—a place of neglect and bad
memories. Here she had fought with Rita Sohlberg; here she had seen
society come for a very little while only to disappear; here she had
waited this long time for the renewal of Cowperwood’s love, which was
now obviously never to be restored in its original glamour. As he spoke
she looked at him quizzically, almost sadly in her great doubt. At the
same time she could not help reflecting that in New York where money
counted for so much, and with Cowperwood’s great and growing wealth and
prestige behind her, she might hope to find herself socially at last.
“Nothing venture, nothing have” had always been her motto, nailed to
her mast, though her equipment for the life she now craved had never
been more than the veriest make-believe—painted wood and tinsel. Vain,
radiant, hopeful Aileen! Yet how was she to know?
“Very well,” she observed, finally. “Do as you like. I can live down
there as well as I can here, I presume—alone.”
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account