Capitalists and financiers -- Fiction; Chicago (Ill.) -- Fiction; Psychological fiction
“Oh, not that exactly,” replied Mrs. Carter, sweetly, bracing herself
for a word which she felt incumbent upon her; “but think of his
position. He comes of such a good family, and he must be heir to a
considerable fortune in his own right. Oh, Bevy, I don’t want to hurry
or spoil your life in any way, but do keep in mind the future. With
your tastes and instincts money is so essential, and unless you marry
it I don’t know where you are to get it. Your father was so
thoughtless, and Rolfe’s was even worse.”
She sighed.
Berenice, for almost the first time in her life, took solemn heed of
this thought. She pondered whether she could endure Braxmar as a life
partner, follow him around the world, perhaps retransferring her abode
to the South; but she could not make up her mind. This suggestion on
the part of her mother rather poisoned the cup for her. To tell the
truth, in this hour of doubt her thoughts turned vaguely to Cowperwood
as one who represented in his avid way more of the things she truly
desired. She remembered his wealth, his plaint that his new house could
be only a museum, the manner in which he approached her with looks and
voiceless suggestions. But he was old and married—out of the question,
therefore—and Braxmar was young and charming. To think her mother
should have been so tactless as to suggest the necessity for
consideration in his case! It almost spoiled him for her. And was their
financial state, then, as uncertain as her mother indicated?
In this crisis some of her previous social experiences became
significant. For instance, only a few weeks previous to her meeting
with Braxmar she had been visiting at the country estate of the
Corscaden Batjers, at Redding Hills, Long Island, and had been sitting
with her hostess in the morning room of Hillcrest, which commanded a
lovely though distant view of Long Island Sound.
Mrs. Fredericka Batjer was a chestnut blonde, fair, cool, quiescent—a
type out of Dutch art. Clad in a morning gown of gray and silver, her
hair piled in a Psyche knot, she had in her lap on this occasion a Java
basket filled with some attempt at Norwegian needlework.
“Bevy,” she said, “you remember Kilmer Duelma, don’t you? Wasn’t he at
the Haggertys’ last summer when you were there?”
Berenice, who was seated at a small Chippendale writing-desk penning
letters, glanced up, her mind visioning for the moment the youth in
question. Kilmer Duelma—tall, stocky, swaggering, his clothes the
loose, nonchalant perfection of the season, his walk ambling, studied,
lackadaisical, aimless, his color high, his cheeks full, his eyes a
little vacuous, his mind acquiescing in a sort of genial,
inconsequential way to every query and thought that was put to him. The
younger of the two sons of Auguste Duelma, banker, promoter,
multimillionaire, he would come into a fortune estimated roughly at
between six and eight millions. At the Haggertys’ the year before he
had hung about her in an aimless fashion.
Public-domain text, read in full here on John Shaqi.
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