Capitalists and financiers -- Fiction; Chicago (Ill.) -- Fiction; Psychological fiction
Berenice could not help piecing together the memory of this incident
with her mother’s recent appeal in behalf of Lieutenant Braxmar. A
great, cloying, disturbing, disintegrating factor in her life was
revealed by the dawning discovery that she and her mother were without
much money, that aside from her lineage she was in a certain sense an
interloper in society. There were never rumors of great wealth in
connection with her—no flattering whispers or public notices regarding
her station as an heiress. All the smug minor manikins of the social
world were on the qui vive for some cotton-headed doll of a girl with
an endless bank-account. By nature sybaritic, an intense lover of art
fabrics, of stately functions, of power and success in every form, she
had been dreaming all this while of a great soul-freedom and
art-freedom under some such circumstances as the greatest individual
wealth of the day, and only that, could provide. Simultaneously she had
vaguely cherished the idea that if she ever found some one who was
truly fond of her, and whom she could love or even admire
intensely—some one who needed her in a deep, sincere way—she would give
herself freely and gladly. Yet who could it be? She had been charmed by
Braxmar, but her keen, analytic intelligence required some one harder,
more vivid, more ruthless, some one who would appeal to her as an
immense force. Yet she must be conservative, she must play what cards
she had to win.
During his summer visit at Narragansett Cowperwood had not been long
disturbed by the presence of Braxmar, for, having received special
orders, the latter was compelled to hurry away to Hampton Roads. But
the following November, forsaking temporarily his difficult affairs in
Chicago for New York and the Carter apartment in Central Park South,
Cowperwood again encountered the Lieutenant, who arrived one evening
brilliantly arrayed in full official regalia in order to escort
Berenice to a ball. A high military cap surmounting his handsome face,
his epaulets gleaming in gold, the lapels of his cape thrown back to
reveal a handsome red silken lining, his sword clanking by his side, he
seemed a veritable singing flame of youth. Cowperwood, caught in the
drift of circumstance—age, unsuitableness, the flaring
counter-attractions of romance and vigor—fairly writhed in pain.
Public-domain text, read in full here on John Shaqi.
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