In the hollow at Long Ditton I had the delight, a day or two since, to see a kingfisher. There is a quiet lane, and at the bottom, in a valley, two ponds, one in enclosed grounds, the other in a meadow opposite. Standing there a minute to see if there was a martin among the birds with which the pond in the grounds is thickly covered, something came shooting straight towards me, and swerving only a yard or two to pass me, a kingfisher went by. His blue wings, his ruddy front, the white streak beside his neck, and long bill, were all visible for a moment; then he was away straight over the meadow, the directness of his course enabling it to be followed for some time till he cleared the distant hedge, probably going to visit his nest. Kingfishers, though living by the stream, often build a good way from water. The months have lengthened into years since I saw one here before, sitting on the trunk of a willow which bends over the pond in the mead. The tree rises out of the water and is partly in it; it is hung with moss, and the kingfisher was on the trunk within a foot or so of the surface. After that there came severe winters, and till now I did not see another here. So that the bird came upon me unexpectedly out from the shadow of the trees that overhang the water, past me, and on into the sunshine over the buttercups and sorrel of the field. This hollow at Long Ditton is the very place of singing birds; never was such a place for singing--the valley is full of music. In the oaks blackbirds whistle. You do not often see them; they are concealed by the thick foliage up on high, for they seek the top branches, which are more leafy; but once now and then they quietly flutter across to another perch. The blackbird's whistle is very human, like a human being playing the flute; an uncertain player, now drawing forth a bar of a beautiful melody and then losing it again. He does not know what quiver or what turn his note will take before it ends; the note leads him and completes itself. It is a song which strives to express the singer's keen delight, the singer's exquisite appreciation of the loveliness of the days; the golden glory of the meadow, the light, the luxurious shadows, the indolent clouds reclining on their azure couch. Such thoughts can only be expressed in fragments, like a sculptor's chips thrown off as the inspiration seizes him, not mechanically sawn to a set line. Now and again the blackbird feels the beauty of the time, the large white daisy stars, the grass with yellow-dusted tips, the air which comes so softly unperceived by any precedent rustle of the hedge, the water which runs slower, held awhile by rootlet, flag, and forget-me-not. He feels the beauty of the time and he must say it. His notes come like wild flowers, not sown in order. The sunshine opens and shuts the stops of his instrument. There is not an oak without a blackbird, and there are others afar off in the hedges. The thrushes sing louder here than