Adventure stories; China -- Fiction; Detective and mystery stories; Police -- Fiction; Tombs -- Fiction
“Puh p’a!” she said. (“You have nothing to fear”.)
It was a conventional assurance, and the girl attached greater
significance to the phrase than it deserved.
She was allowed to put on her dressing-gown, and thrust her feet into
her slippers, and she followed the beckoning finger through the door.
There was nothing to be gained by resistance as she saw, for in the
corridor outside were six men of the Yamen Guard.
With terror in her heart, but with her head erect, she followed the
serving-maid through what seemed innumerable corridors until she came
to a door before which hung a heavy curtain of orange velvet.
She had no idea as to what was the time. Her own watch had stopped,
but from the glimpse of sky she caught as she passed a window, she
thought it must be nearly three o’clock in the morning.
The servant pulled aside the portière and knocked timidly on the
door, and a voice bade her enter.
Yvonne followed the girl. She was in a larger room than that to which
she was accustomed. It was hung around with Chinese embroideries, the
floor was of polished wood, and divans, cushions, and little stools
formed the only furniture in the place, save for a few carved Buddhas
and a huge hanging lamp suspended from the ceiling. It was unlit, the
only light in the room being a small lamp placed on the floor within
reach of Soo.
He was there alone, but what caught her eye and held her was something
which stood in the very centre of the apartment.
It was a huge glass bottle, ten feet in height, and modelled in the
shape of a medicine bottle. That, in fact, was the design which Soo
had given to his artificers to cast.
The servant left her. The door closed with a click behind the girl,
and she was left alone confronting this man with his cruel, smiling
lips and his sly eyes.
He was smoking a Chinese pipe and was a model of comfort and
self-satisfaction.
“I have sent for you,” he said, “because you represent the last
fragment of opposition offered to me in Europe, and I desire that you
shall be disposed of with the ceremony which the occasion demands.”
Planted against the bottle’s neck was a light bamboo ladder; inside,
dangling from the top, and secured from the outside by a ring fastened
to the wall, was another ladder, a ladder of silk.
He saw her wondering eyes surveying this, and smiled.
“When I was in Europe,” he said cheerfully, “there was a phrase
employed which interested me more than ordinarily. It was the phrase
of ‘bottled up.’ Now, I have never seen any human being so
circumstanced.”
He spoke slowly, choosing his words with great deliberation. “And I am
particularly anxious that this reproach should be removed. You will
mount those steps,” he pointed to the ladder, “and lower yourself
gently to the bottom of the bottle. You will notice that there is a
down cushion upon which you may sit, and you will probably find it
most comfortable.”
“Suppose I refuse?” she said.
He smiled again.
Public-domain text, read in full here on John Shaqi.
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