The tomorrow people : $b a science fiction novelMerril, Judith
Science
The tomorrow people : $b a science fiction novel
Merril, Judith
Mars (Planet) -- Fiction; Psychological fiction; Science fiction; Space travelers -- Fiction
He tried to dispose entirely of the idea gnawing him. It was so absurd
he should never, he thought, have allowed himself to think the idea
through verbally. But he had; and it sure as hell _wasn’t_ absurd from
his own point of view. _She_ was a teacher who could be trusted to put
her words into practice, to teach by doing.
_Okay, so it’s a great notion. Get yourself somebody.... Plenty of
dancers and physical therapists would love the chance._
He went to the intercom, dialed, and waited, No answer. He had almost
switched off when the screen suddenly lit.
“Oh, Phil--Hi!” She was breathless. “I just got in, heard the thing
buzzing. What’s up? Have you heard...?”
She stopped as he shook his head. “No. I called to see if you had. Got
in from _where_?”
“Thad Bourgnese took me out to the Shack. Phil, it’s so silly, but you
know I’m halfway in love with this place? I feel like a stinker, I
mean, I ought to be chewing my fingernails to get home, but I--well,
damn it, I’m _glad_ I couldn’t take the last trip down!”
Defiant, she was rather more lovely than usual, he decided. “Well,
fine,” he smiled. “I was just thinking about a job for you here.”
“_Here?_ Dancer-in-residence?” But before she laughed, a look of
surprised delight had fled across her face, and an expression of
chagrin had followed it so quickly it was unlikely any one but a
trained observer would have noticed the change from the first flush of
reaction to the laugh.
“Why not?” He did not follow it up; he was more than a little annoyed
with himself for having said anything to begin with. “Okay, kid,” he
said. “I was just checking in on you.”
“Right. I’ll see you, Phil, thanks for the call ... hey!” She reached
to the side of the screen, toward where the tube slot must be, “There’s
a message. I didn’t notice.” She tore open the radioletter, glanced at
the bottom, and nodded: “Johnny.” Then her face went white, and her
mouth started to open as if she’d been slapped in the face.
The screen went dead. “I’m sorry, Phil. ’Scuse me.” The audio clicked
off too.
_The bastard! The lousy lushin’ whining wailing nasty-minded bastard!_
Phil went to the couch, knelt in front of it, and beat clenched fists
against the padding till he felt his rage subside.
He got up, went to his desk, pulled out his own old-fashioned
typewriter, without which he could not think, and started typing.
When he got up, half an hour later, he was Dr. Kutler again--and even
Phil, plain Phil, had recognized that whatever Johnny wrote, it was in
response to the knowledge that his wife did not want to come home.
Because she _was_ his wife--whatever _she_ thought about it.
And she did _not_ want to leave, whether _she_ knew it or not.
And it was a hundred to one, at least, that Johnny had picked the
nastiest, hurtingest, angriest way to respond; but that was just
foolish--not vicious.
A man has a right to react when his girl--or his wife--stands him up.
CHRISTY TOPS McLFTY
Public-domain text, read in full here on John Shaqi.
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