Married women -- Fiction; Mothers -- Fiction; Women authors -- Fiction
Her gift was dead--or, at the least, it was forever ineffectual. There
would be no more mad, glad flights; no more songs high in the sunlit
heavens. The flights and songs and ecstasies were over for all time.
Not for an instant did she cheat herself with sophistries of an
eventual recovery. She knew that if it lived at all--this gift of hers
which had once been more alive than she herself--it would but live
within her as the pain of a thing balked and futile, restless still
perhaps, but not restless with any power. Always--always now--the too
exquisite note of a violin, the sight of blossoming trees at dawn, of
silver, inscrutable stars at night would waken in her the hunger, the
grief, of the unsatisfied. There would never be a time when she could
look on poignant beauty with the peace of one who is herself a part of
all beauty--having created something beautiful. For the ultimate
calamity had befallen her; her gift had been killed, or hopelessly
maimed.
Under the tremendous impact of this blow she was curiously unresentful.
She wondered a little how it had happened. She wondered if she had
suffered too much, suffered to the point of numbness--a thing fatal to
one whose work had been fine largely through her capacity for emotion;
or if the habit, the superstition, of her vow, persisting within her
after the vow itself had been cast aside, had thus finally broken the
wings of her talent. She wondered if her marriage alone, or her
motherhood, or her shamed and hopeless love for Peter had been most
disastrous to her. She had been conscious of them all as she had sat
there trying to write. Eric's face and Peter's had drifted between her
and her pages. Ted's cold declaration that talent was a bad thing for
a married woman, and her own impassioned promise to God to renounce her
work for Eric's life had both drowned for her the voice of her gift.
It was as if all these factors in her destiny had had too much of her;
it was as if they had claimed her too entirely and tenaciously ever to
release her. Even in silence and solitude and a belated sense of
liberty and rights, she could not be free of them. She could not
decide whether one or all of them had been responsible for this final
frustration. She wondered--and then she ceased to wonder at all. She
knew that the frustration had been accomplished--and that she was
suddenly too weary even to cry out.
It was at the moment when she realized all this fully, when she sat
staring at the deformed and lifeless thing which she had brought forth,
that a letter from Charlotte was handed to her. It came from New
York--where was Peter. Sheila opened it with shaking fingers--and
found what she desired:
I have seen Peter [wrote Charlotte] and he seems to have fitted
himself, very happily, into the right place. I say happily, but I do
not use the word literally, for Peter is scarcely happy. But he is
appreciated here, and he likes his work. I'm sure you'll be glad of
that.
Public-domain text, read in full here on John Shaqi.
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