United States -- History -- Revolution, 1775-1783 -- Fiction; War stories
"Oh, we forget that my poor child may be dead already!" she cried, with
sharp agony, next moment. "I think and think of his hurting wounds. No
pity will be shown a man whom they take to be a spy!" and she was shaken
by a most piteous outburst of tears.
Then Mary, as if the heart in her own young breast were made of love
alone, tried to comfort Madam Wallingford. It was neither the first
time nor the last.
*XXX*
*MADAM GOES TO SEA*
"The paths to a true friend lie direct, though he be far away."
The bright day had clouded over, and come to a wet and windy spring
night. It was past eight o’clock; the darkness had early fallen. There
was a sense of comfort in a dry roof and warm shelter, as if it were
winter weather, and Master Sullivan and old Margery had drawn close to
their warm fireplace. The master was in a gay mood and talkative, and
his wife was at her usual business of spinning, stepping to and fro at a
large whirring wheel. To spin soft wool was a better trade for evening
than the clacking insistence of the little wheel with its more demanding
flax. Margery was in her best mood, and made a most receptive and
admiring audience.
"Well, may God keep us!" she exclaimed, at the end of a story. "’T was
as big a row as when the galleries fell in Smock Alley theatre. I often
heard of that from my poor father."
Master Sullivan was pleased with his success; Margery was not always so
easy to amuse, but he was in no mind for a conflict. Something had made
his heart ache that day, and now her love and approval easily rescued
him from his own thought; so he went on, as if his fortunes depended
upon Margery’s favor and frankly expressed amusement.
"One night there was a long-legged apprentice boy to a French
upholsterer; this was in London, and I a lad myself stolen over there
from Paris with a message for Charles Radcliffe. He had great leanings
toward the stage, this poor boy, and for the pride of his heart got the
chance to play the ghost in Hamlet at Covent Garden. Well, it was then
indeed you might see him at the heighth of life and parading in his
pasteboard armor. ’Mark me!’ says he, with a voice as if you’d thump
the sides of a cask. ’_I’ll mark you!_’ cries his master from the pit,
and he le’pt on the stage and was after the boy to kill him; and all the
lads were there le’pt after him to take his part; and they held off the
master, and set the ghost in his place again, the poor fellow; and they
said he did his part fine, and creeped every skin that was there. He’d
a great night; never mind the beating that fell to him afterward!"
The delighted listener shook with silent laughter.
Public-domain text, read in full here on John Shaqi.
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