The Tower of London: A Historical Romance, IllustratedAinsworth, William Harrison
General
The Tower of London: A Historical Romance, Illustrated
Ainsworth, William Harrison
Grey, Jane, Lady, 1537-1554 -- Fiction; London (England) -- Fiction; Tower of London (London, England) -- Fiction
The White Tower once more claims our attention. Already described as
having walls of enormous thickness, this venerable stronghold is divided
into four stories including the vaults. The latter consist of two large
chambers and a smaller one, with a coved termination at the east, and
a deeply-recessed arch at the opposite extremity. Light is admitted to
this gloomy chamber by four semicircular-headed loopholes. At the north
is a cell ten feet long by eight wide formed in the thickness of the
wall, and receiving no light except from the doorway. Here tradition
affirms that Sir Walter Raleigh was confined, and composed his History
of the World.
Amongst other half-obliterated inscriptions carved on the arched doorway
of this dungeon, are these: He that indvreth TO THE ENDE SHALL BE SAVID.
M. 10. R. REDSTON. DAR. KENT. Ano. 1553.—Be feithful to the death and I
will give the a crown of life. T. Fane. 1554. Above stands Saint John’s
Chapel, and the upper story is occupied by the council-chamber and the
rooms adjoining. A narrow vaulted gallery, formed in the thickness
of the wall, communicating with the turret stairs, and pierced with
semicircular-headed openings for the admission of light to the interior,
surrounds this story. The roof is covered with lead, and crowned with
four lofty turrets, three angular and one square, surmounted with leaden
cupolas, each terminated with a vane and crown.
We have spoken elsewhere, and shall have to speak again of the secret
and subterranean passages, as well as of the dungeons of the Tower;
those horrible and noisome receptacles, deprived of light and air,
infested by legions of rats, and flooded with water, into which
the wretched captives were thrust to perish by famine, or by more
expeditious means; and those dreadful contrivances, the Little Ease—and
the Pit;—the latter a dark and gloomy excavation sunk to the depth of
twenty feet.
Public-domain text, read in full here on John Shaqi.
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