The Tower of London: A Historical Romance, IllustratedAinsworth, William Harrison
General
The Tower of London: A Historical Romance, Illustrated
Ainsworth, William Harrison
Grey, Jane, Lady, 1537-1554 -- Fiction; London (England) -- Fiction; Tower of London (London, England) -- Fiction
Inexperienced as the latter was in the arts of a court, being then
only twenty-one, and having passed fourteen years of his life in close
captivity in the Tower, he was easily duped by the wily ambassador; and
though repeatedly warned against him by De Noailles, who saw through
Renard’s design, he disregarded the caution. Satisfied of the Queen’s
favourable disposition towards him, which was evinced by the most marked
attention on her part, this young nobleman conceived himself wholly
beyond the reach of rivalry; and trusting to his personal advantages,
and the hold he had obtained over the affections of his royal mistress,
he gave himself little concern about an opposition which he regarded as
futile. He looked upon himself as certain of the Queen’s hand; and but
for his own imprudence, he would have been actually possessed of it.
Mary’s meditated alliance was agreeable to all parties, except, as just
intimated, that of Spain. Already nearly related to the crown by his
descent from Edward the Fourth, no objection could be raised against her
favourite on the score of rank; while his frank and conciliating manner,
combined with his rare endowments of mind and person, won him universal
regard. Doctor Thomas Wilson, in the funeral oration pronounced over
Courtenay at Padua in 1556, states, that during his long imprisonment
in the Tower, “he wholly devoted himself to study, and that neither the
augustia loci, nec solitudo, nec amissio libertatis, ilium à literis
avocarent; that he made such progress in philosophy, that no nobleman
was equal to him in it; that he also explored the mysteria naturae; that
he entered into the mathematicorum labyrintha; that he was so fond of
painting, that he could easily and laudably make any one’s portrait on
a tabula; that he was equally attached to music, and had attained in
it absolutam perfectionem; and that to these acquisitions he added the
Spanish, French, and Italian languages. In manners he was grave
without pride; pleasant without levity; prudent in speech; cautious in
answering; modest in disputing; never boasting of himself, nor excluding
others; and though familiar with many, yet intimately known to few.”
Allowing for the drawbacks which must necessarily be made from such an
éloge, enough will remain to prove that his accomplishments were of no
common order.
Public-domain text, read in full here on John Shaqi.
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