The Tower of London: A Historical Romance, IllustratedAinsworth, William Harrison
General
The Tower of London: A Historical Romance, Illustrated
Ainsworth, William Harrison
Grey, Jane, Lady, 1537-1554 -- Fiction; London (England) -- Fiction; Tower of London (London, England) -- Fiction
“Not now,” rejoined Mary, rising. “Fear nothing, thou merry urchin. We
will take care Love meets its desert. We thank you, my lord,” she added,
turning to Courtenay, “for the pleasant pastime you have afforded us.”
As the queen arose, loud and reiterated shouts resounded from the
spectators, in which all the mummers joined. Amid these acclamations she
returned to the palace. Courtenay again tendered her his hand, and the
slight pressure which he hazarded was sensibly returned.
Just as she was about to enter the window, Mary turned round to bow for
the last time to the assemblage, when there arose a universal cry—“Long
live Queen Mary!—Long live the Earl of Devonshire!”
Mary smiled. Her bosom palpitated with pleasure, and she observed to her
lover—“You are the people’s favourite, my lord. I should not deserve to
be their queen if I did not share in their affection.”
“May I then hope?” asked the Earl, eagerly.
“You may,” replied Mary, softly.
The brilliant vision which these words raised before Courtenay’s eyes,
was dispersed by a look which he at that moment received from Elizabeth.
The festivities in the court did not terminate with the departure of the
royal train. Xit was replaced in the turret, whence he aimed his darts
at the prettiest damsels he could perceive, creating infinite merriment
among the crowd. An immense ring was then formed by all the mummers, who
danced round the three giants, the minstrels accompanying the measure
with appropriate strains. Nothing more grotesque can be imagined than
the figures of Gog and Magog, as engaged in the dance, in their uncouth
garbs. As to Og, he flourished his clubs, and twirled himself round with
great rapidity in the opposite direction to the round of dancers, until
at last, becoming giddy, he lost his balance, and fell with a tremendous
crash, upsetting Xit for the second time.
Ever destined to accidents, the dwarf, from his diminutive stature,
seldom sustained any injury, and upon this occasion, though a good deal
terrified, he escaped unhurt. Og was speedily uncased, and, glad to be
set at liberty, joined the ring of dancers, and footed it with as much
glee as the merriest of them.
As the evening advanced, fire-works were discharged, and a daring
rope-dancer, called Peter the Dutchman, ascended the cupola of the
south-east turret of the White Tower, and got upon the vane, where he
lighted a couple of torches. After standing for some time, now upon one
foot—now on the other, he kindled a firework placed in a sort of helmet
on his head, and descended amid a shower of sparks by a rope, one end
of which was fastened in the court where the masquers were assembled.
A substantial supper, of which the mummers and their friends partook,
concluded the diversions of the evening, and all departed well satisfied
with their entertainment.
XV.—BY WHOSE INSTRUMENTALITY QUEEN MARY BECAME CONVINCED OF COURTENAY’S
INCONSTANCY; AND HOW SHE AFFIANCED HERSELF TO PHILIP OF SPAIN.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account