The Tower of London: A Historical Romance, IllustratedAinsworth, William Harrison
General
The Tower of London: A Historical Romance, Illustrated
Ainsworth, William Harrison
Grey, Jane, Lady, 1537-1554 -- Fiction; London (England) -- Fiction; Tower of London (London, England) -- Fiction
The suddenness of the action favoured its success. Before Nightgall
recovered from his surprise, the poniard was wrested from his grasp and
held at his throat. In the struggle that ensued, he received a wound
which brought him senseless to the ground; and Cholmondeley, thinking
it needless to despatch him, contented himself with chaining him to the
wall.
Possessing himself of the jailor’s keys, he was about to depart, when
Nightgall, who at that moment regained his consciousness, and with it
all his ferocity, strove to intercept him. On discovering his situation,
he uttered a torrent of impotent threats and execrations. The only reply
deigned by the esquire to his menaces, was an assurance that he was
about to set free the miserable Alexia.
Quitting the cell, Cholmondeley turned off on the left, in the direction
whence he imagined the shrieks had proceeded. Here he beheld a range
of low strong doors, the first of which he unlocked with one of the
jailor’s keys. The prison was unoccupied. He opened the next, but with
no better success. It contained nothing except a few rusty links of
chain attached to an iron staple driven into the floor. In the third he
found a few mouldering bones; and the fourth was totally empty. He then
knocked at the doors of others, and called the miserable captive by her
name in a loud voice. But no answer was returned.
At the extremity of the passage he found an open door, leading to a
small circular chamber, in the centre of which stood a heavy stone
pillar. From this pillar projected a long iron bar, sustaining a coil
of rope, terminated by a hook. On the ground lay an immense pair of
pincers, a curiously-shaped saw, and a brasier. In one corner stood a
large oaken frame, about three feet high, moved by rollers. At the other
was a ponderous wooden machine, like a pair of stocks. Against the wall
hung a broad hoop of iron, opening in the middle with a hinge—a horrible
instrument of torture, termed “The Scavenger’s Daughter.” Near it were
a pair of iron gauntlets, which could be contracted by screws till they
crushed the fingers of the wearer. On the wall also hung a small brush
to sprinkle the wretched victims who fainted from excess of agony, with
vinegar; while on a table beneath it were placed writing materials
and an open volume, in which were taken down the confessions of the
sufferers.
Cholmondeley saw at once that he had entered the torture-chamber, and
hastily surveying these horrible contrivances, was about to withdraw,
when he noticed a trap-door in one corner. Advancing towards it, he
perceived a flight of steps, and thinking they might lead him to the
cell he was in search of, he descended, and came to a passage still
narrower and gloomier than that he had quitted. As he proceeded along
it, he thought he heard a low groan, and hurrying in the direction of
the sound, arrived at a small door, and knocking against it, called
“Alexia,” but was answered in the feeble voice of a man.
Public-domain text, read in full here on John Shaqi.
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