Alec Aird hates the Casino, partly because they won't let him smoke his
pipe there, partly because he doesn't like his life strung up to
concert-pitch all the time. But Madge loves these vast vestibules of
shining mahogany and cut and bevelled glass, these palms that brush the
electric chandeliers, these broad terraces, all this bright restlessness
of hotels and shops and plage. So they had split the difference in the
villa they had rented. It stood high-perched among ilex and
Spanish-chestnut, looking out over the rocks and islands that make of
that bay a jaw full of cruel black splintered teeth. It had little
broken lawns set with hydrangeas and beds and borders of blood-red
begonias and montbretia and geraniums and marguerites, the whole tilted
up as if it would have spilled over the rough cliff-top to the rocks
below. The plage itself was hidden, but a little way out the translucent
greens began, dappled with a fairy-like refraction that brought the
purply shoals almost up to the surface. After that away northwards
spread the wide sea--serene yet curiously wistful, tender yet never gay,
dreamily lovely but unflashing, unglittering--the pensive aspect of a
sea that has its back to the sun.
"Here we are," said Alec as we pulled up in front of a chromo-lithograph
from a toybox lid, the villa of dove-grey with shutters of a chalky
greeny-white and slender ironwork everywhere--grilles of ironwork over
the glazing of the double doors, scrolled balcony railings, and iron
passementerie along the ridge of the mansard-roof. "Now look here, if
you want to go to bed say so, and we'll all be Sleeping
Beauties--confound those rotten late hours for that kid----"
I assured him that I had no wish to go to bed.
"Right. Then come along upstairs, and sing out if there's anything you
want. You'll find me somewhere about when you come down. And you might
give me that tobacco----"
And, showing me up a staircase of waxed boards into my room, he left me
to my toilet.
The pergola in which I found him three quarters of an hour later was at
the bottom of the garden. Its roof was latticed, so that over the floor,
over the garden chairs and tables, over our shoulders and hands and
white flannels, lay an intricate shepherd's-plaid of gay shadow that
crept like a net over us whenever we moved. A _bonne_ followed me with
coffee and rolls, and we sat down to talk and to watch the flat
untwinkling sea.
Public-domain text, read in full here on John Shaqi.
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