"Yes, let's go out. It's no good sitting here getting morbid. Which way
has my husband gone? Because just for an hour I'm going in the opposite
direction. Come along, let's all go for a walk."
We left the creepered terrace, crossed the courtyard of the hotel, and
came out into the Place Duguesclin.
I think I have discovered what it is that gives certain French façades
their air at once luminous and austere. It is the roofs above them. Our
flat-pitched English roofs thanklessly send back heaven's light where it
comes from; but these, steeply mansarded, dormered, and hog's-backed
again above that--it is these that flash it into our eyes like mirrors,
these across which the shadows of the chimneys lie, blots of black in
the glitter. The façades themselves may be flatly lighted or gloomed
over with pastel-like shade; it is above that everything happens, above
that the sun, the brick and the shining slate play out the drama of the
altering day.
And the sun was Lord of Dinan that afternoon. He turned the arcades of
the fishmarket to barrels of blackness, but crowned the roofs beyond
with flashing silver. The dark limes of the Place Duguesclin might drink
up his rays like green blotting-paper, but the east side of the Square
gave them out again as if the pale paint and chalk and plaster had been
self-luminous--faint greens of peeling ironwork, flaky blues of closed
shutters, the dazzle of the roof, the chimneys like tall dominoes on
end, patched with bricks of rose. And what a town for him to play with!
The towers, the gates, the ivied encircling walls, are but the outer
shell of the immemorial place; within it, what pranks and gaieties of
light and under-light and hide-and-seek of shadows does not his Lordship
play! Derry began to cheer up. Eighteen is never downcast for long. This
father-in-law-elect of his might sit morosely at the same table with
them or take his bottle of wine to whatever table he pleased; the sun
would shine on carved stone and old painted wood just the same. Yes,
Derry bucked up, and in a bright voice began to take command.
"I say, let's have a peep into the Cordeliers," he said. "It was shut
the last time I tried to get in."
Under the legs of the Porches, across the street and in at the half-open
portail we passed.
Public-domain text, read in full here on John Shaqi.
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