"And he was all right when you left him? Is he comfortable there? Had he a good breakfast? Was his bed made? Does anybody go in and clear up for him? Had he any flowers?" "He's quite all right there. He wants to see me as much as he can. He'd ask me to stay with him, but he's determined to get ahead with that book." I did not tell her of any other reason why he might wish to be alone when he woke up in the morning. I assumed that a man's shaving operations could have no interest for her. But this is what had taken place: On seeing his first signs of stirring I had slipped quietly into his bedroom. There, lying on his bed, I had pretended to be asleep. I had heard his tiptoe approach, the slight creaking of the door as he had peeped in, his stealthy crossing to the dressing-table, where his razors were. Then he had stolen out again, and I had heard a kettle filled and other preparations. A quarter of an hour later he had (as he supposed) woke me. He stood there by the bedside with a cup of tea in his hand. His chin was smooth. I wondered about that other morning when, passing his hand over his face, he had first found the beard there. And I wondered what his companion, if he had had one, had thought of it. "But he shall write his book, poor darling," Julia repeated. This was at half-past ten in the morning, in her studio, whither I had walked straight from Derry's loft over the mews. "He ought to be locked up for life if he does," I answered. But she was very obstinate. Derry (she said) should do whatever he had a mind to do. More than that (and a crafty light stole into her dark eyes as she said it), she intended to help him. "To write his book? And what do you know about writing books?" "I didn't say to write his book. You say he's--what d'you call it?--sharpening his tools, getting himself fit. Well, I can help him to do that." "How?" "I'll leave the door open so you can hear." She ran out of the studio to the little cabinet where her telephone was. I heard the following, her side of the conversation that ensued. "Is that 9199? Miss Oliphant would like to speak to Mrs Aird, please.... Is that you, Madge? Yes, this is my dinner-call.... Oh, like a top, and I know your phone's by your bed. Madge, my dear, I want to know who that learned person was I was talking to last night: yes, the bibliomaniac person.... Who?" Then, with a jump of her voice, "What, he's staying with you? He's in the house _now_? Do send for him immediately.... Of course not, you goose, but you have an extension, haven't you?..." And then this: "Oh, good morning! Miss Oliphant speaking.... Ah, you've forgotten!... Most frightfully excited about our conversation last night. Will you tell me again the title of that book and whether I can see it in the British Museum? Wait a minute, I want to write it down...." Then, carefully and as it were a letter at a time: