English fiction -- 20th century; Short stories, English
“In _Right Here_ you have full information on all branches of Nature
study,” broke in the bookagent, with a tired note sounding in his voice
for the first time; “forestry, insect life, bird migration, reclamation
of waste lands. As I was saying, no man who has to deal with the varied
interests of life—”
“I wonder if you would care for one of my earlier books, _The Reluctance
of Lady Cullumpton_,” said Mellowkent, hunting again through the
bookshelf; “some people consider it my best novel. Ah, here it is. I
see there are one or two spots on the cover, so I won’t ask more than
three-and-ninepence for it. Do let me read you how it opens:
“‘Beatrice Lady Cullumpton entered the long, dimly-lit drawing-room, her
eyes blazing with a hope that she guessed to be groundless, her lips
trembling with a fear that she could not disguise. In her hand she
carried a small fan, a fragile toy of lace and satinwood. Something
snapped as she entered the room; she had crushed the fan into a dozen
pieces.’
“There, what do you think of that for an opening? It tells you at once
that there’s something afoot.”
“I don’t read novels,” said Caiaphas sullenly.
“But just think what a resource they are,” exclaimed the author, “on long
winter evenings, or perhaps when you are laid up with a strained ankle—a
thing that might happen to any one; or if you were staying in a
house-party with persistent wet weather and a stupid hostess and
insufferably dull fellow-guests, you would just make an excuse that you
had letters to write, go to your room, light a cigarette, and for
three-and-ninepence you could plunge into the society of Beatrice Lady
Cullumpton and her set. No one ought to travel without one or two of my
novels in their luggage as a stand-by. A friend of mine said only the
other day that he would as soon think of going into the tropics without
quinine as of going on a visit without a couple of Mark Mellowkents in
his kit-bag. Perhaps sensation is more in your line. I wonder if I’ve
got a copy of _The Python’s Kiss_.”
Caiaphas did not wait to be tempted with selections from that thrilling
work of fiction. With a muttered remark about having no time to waste on
monkey-talk, he gathered up his slighted volume and departed. He made no
audible reply to Mellowkent’s cheerful “Good morning,” but the latter
fancied that a look of respectful hatred flickered in the cold grey eyes.
THE HEDGEHOG
Public-domain text, read in full here on John Shaqi.
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