The Trade Signs of Essex: A popular account of the origin and meanings of the public houses & other signsChristy, Miller
Philosophy
The Trade Signs of Essex: A popular account of the origin and meanings of the public houses & other signs
Christy, Miller
Essex (England) -- Social life and customs; Hotels -- England -- Essex; Signs and signboards -- England -- Essex
latter, indeed, is a very common tobacconist’s sign at the present day.
A WOODEN PAIL occurs on the token issued in Moulsham in 1666 by Thomas
Joyce, who was perhaps a cooper, and a BUNDLE OF YARN on that of “Iohn
Hance of Kelvedon, clothier, 1669.” At Epping a large KETTLE, painted
red and suspended before a house, indicates that tea and hot water are
obtainable within.
There still remain to be noticed several signs which are in use at the
present day, though they are not public-house signs. Several such have
already been alluded to, as, for instance, the BLACK BOY and the TOBACCO
ROLL for a tobacconist, and the BUNCH OF GRAPES for a vintner. The COW
or a CALF, too, forms the recognized sign of a dairyman. At Witham a
harness-maker displays a harnessed HORSE’S HEAD, life-size, as his sign.
Many similar instances of tradesmen, other than publicans, displaying
signs indicative of their trades might be named throughout the county.
Few public-house signs, however, are more familiar than the THREE GOLDEN
BALLS displayed by pawnbrokers. The device is a truly heraldic one, the
balls being taken, according to Messrs. Larwood and Hotten (p. 128),
from--
“The lower part of the coat of arms of the Dukes of Medici, from
whose states, and from Lombardy, nearly all the early bankers came.
These capitalists also advanced money on valuable goods, and hence
gradually became pawnbrokers. The arms of the Medicis family were
_five besants azure_, whence the balls formerly were blue, and only
within the last half century have assumed a golden exterior,
evidently to gild the pill for those who have dealings with ‘my
uncle’: as for the position in which they are placed, the popular
explanation is that there are two chances to one that whatever is
brought there will not be redeemed.”
According to the same authors (p. 341), the BARBER’S POLE dates from the
time when barbers practised phlebotomy: the patient undergoing this
operation had to grasp the pole in order to make the blood flow more
freely. This use of the pole is illustrated in more than one illuminated
MS. As the pole was, of course, liable to be stained with blood, it was
painted red: when not in use barbers were in the habit of suspending it
outside the door with the white linen swathing-bands twisted round it;
this, in later times, gave rise to the pole being painted red and white,
or black and white, or even with red, white, and blue lines winding
round it. The POLE was also once a tooth-drawer’s sign. In some cases,
too, it is probable that it was intended punningly to indicate the fact
that the barber who displayed it attended to the needs of peoples’
polls. Presumably it formed the sign of Roger Giles, who is said to have
circulated the following amusing advertisement in the neighbourhood of
Romford:--
Public-domain text, read in full here on John Shaqi.
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