The Traditional Games of England, Scotland, and Ireland (Vol 1 of 2): With Tunes, Singing-Rhymes and Methods of Playing etc.Gomme, Alice Bertha
History
The Traditional Games of England, Scotland, and Ireland (Vol 1 of 2): With Tunes, Singing-Rhymes and Methods of Playing etc.
Gomme, Alice Bertha
Folklore -- Great Britain; Games -- Great Britain
In the first place, the idea of death is a prominent incident in the
game, appearing in seven out of the fourteen versions. In all these
cases the death is followed by the clapping of hands and bell-ringing,
and in five cases by the singing of birds. Clapping of hands occurs in
two other cases, and bell-ringing in one other case, not accompanied by
the death incident. Now it is singular that the burial-rite which has
just been quoted is called Dish-a-loof; and a reference to the game of
“Dish-a-loof” [under that title], will show that it derives its name
from the clapping of hands. In the ceremony, as described by Henderson,
although songs and games are part of the burial-ceremony, there is no
specific mention of hand-clapping; but it is conceivable that the action
at one time formed part of the ceremony, and hence the name
“Dish-a-loof.” This would not account for the promise of a duck, drake,
&c., as in incidents Nos. 12 and 20; nor for the promise of a young
prince or young man; but these incidents might very well be variants of
some earlier forms which are not now discoverable, especially as
love-games were played at funerals, and as the tendency, in the less
complete forms of the game as they have come down to us, is in the
direction of transposing the game into a complete love-game. The use of
rushes in the Lanarkshire game might indicate the funeral garland
(Aubrey’s _Remaines_, pp. 109, 139). For clapping of hands to indicate
bell-tolling or bell-ringing at times of death see Napier’s _Folklore_,
p. 66. Henderson (p. 63) says the “passing bell” was supposed in former
times to serve two purposes: it called on all good Christians within
hearing to pray for the departing spirit, and it scared away the evil
spirits who were watching to seize it, or at least to scare and terrify
it.
On the whole evidence from the rhymes, therefore, I should be disposed
to class this game as originally belonging to burial, and not love,
rites.
Green Gravel
[Music]
—Madeley, Shropshire (Miss Burne).
[Music]
—Earls Heaton (H. Hardy).
[Music]
—Sporle, Norfolk (Miss Matthews).
[Music]
—Redhill, Surrey (Miss G. Hope).
[Music]
—Lancashire (Mrs. Harley).
[Music]
—Derbyshire (Mrs. Harley).
I. Green gravel, green gravel, your grass is so green,
The fairest young damsel that ever was seen;
We washed her, we dried her, we rolled her in silk,
And we wrote down her name with a glass pen and ink.
Dear Annie, dear Annie, your true love is dead,
And we send you a letter to turn round your head.
—Belfast (W. H. Patterson).
II. Green gravel, green gravel, the grass is so green,
The fairest young lady that ever was seen;
I’ll wash you in milk,
And I’ll clothe you with silk,
And I’ll write down your name with a gold pen and ink.
O Sally, O Sally, your true love is dead,
He sent you a letter to turn round your head.
Public-domain text, read in full here on John Shaqi.
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