The Traditional Games of England, Scotland, and Ireland (Vol 1 of 2): With Tunes, Singing-Rhymes and Methods of Playing etc.Gomme, Alice Bertha
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The Traditional Games of England, Scotland, and Ireland (Vol 1 of 2): With Tunes, Singing-Rhymes and Methods of Playing etc.
Gomme, Alice Bertha
Folklore -- Great Britain; Games -- Great Britain
So round the meadows we must go,
We must go, we must go,
So round the meadows we must go,
So early in the morning.
—Sporle, Norfolk (Miss Matthews).
(_b_) In the Deptford version two girls join hands, holding them up as
an arch for the other players to tramp through. The first two verses are
sung first by one and then by the other of the two girls. At the finish
of these the girl then going through the arch is stopped, and the third,
fourth, and fifth verses are sung by the two girls alternately. Then
finally both girls sing the last verse, and the child is sent as
prisoner behind one or other of the two girls. The verses are then begun
again, and repeated afresh for each of the troop marching through the
arch until all of them are placed behind one or other of the two girls.
The two sides thus formed then proceed to tug against each other, and
the strongest side wins the game.
The Belfast version is practically the same, except that the verses are
not sung as a dialogue, but by all the players together, and the
prisoner, when caught, has the choice of sides, by being asked, “Which
will you have, a golden apple or golden pear?” and according to the
answer given is sent behind one of the leaders. The Norfolk and
Shropshire games are different. Miss Matthews thus describes the
Norfolk game: “Two girls take hold of hands, and another, the prisoner,
stands between them. The rest form themselves into a line opposite, and
advance and retreat while singing the first verse, the gaolers singing
the next verse, and so on alternately. [At the end of the last verse but
one] the children break the line, form themselves into a ring, and dance
round the prisoner, singing the final verse.” Miss Harley describes the
Shropshire version as follows: “The first six verses are sung by the
alternate parties, who advance and retire, tramping their feet, at
first, to imitate the robbers. The last verse is sung altogether going
round in a ring.” In the Shipley version, Miss Busk says: “The children
form themselves into two lines, while two or three, representing the
robbers, swagger along between them. When the robbers sing the last
verse they should have attained the end of the lines [of children], as
during the parley they were safe; having pronounced the defiance they
run away. The children in the lines rush after them, and should catch
them and put them in prison.”
Public-domain text, read in full here on John Shaqi.
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