The Traditional Games of England, Scotland, and Ireland (Vol 1 of 2): With Tunes, Singing-Rhymes and Methods of Playing etc.Gomme, Alice Bertha
History
The Traditional Games of England, Scotland, and Ireland (Vol 1 of 2): With Tunes, Singing-Rhymes and Methods of Playing etc.
Gomme, Alice Bertha
Folklore -- Great Britain; Games -- Great Britain
(_c_) Versions of this game, almost identical with the Leicester version
given here (with the exception that the word “wealth” ends the second
line instead of “pelf”), have been sent me from East Kirkby,
Lincolnshire (Miss K. Maughan); Epworth, Doncaster (Mr. C. C. Bell);
Settle, Yorks. (Rev. W. S. Sykes); Derbyshire (Mrs. Harley); Redhill,
Surrey (Miss G. Hope); Ordsall, Nottinghamshire (Miss Matthews); Brigg,
Lincolnshire (Miss J. Barker); and there are other versions from
Hersham, Surrey (_Folk-lore Record_, v. 86); Cornwall (_Folk-lore
Journal_, v. 57); Derbyshire (_Folk-lore Journal_, i. 385); Oswestry,
Ellesmere (_Shropshire Folk-lore_, p. 512). Miss Peacock sends a version
which obtains at Lincoln, Horncastle, Winterton, and Anderby,
Lincolnshire, and in Nottinghamshire; it is identical with the Liphook
version. Two versions from Sporle, Norfolk, which vary slightly from the
Leicester, have been sent by Miss Matthews. The versions given from
Lancashire, Yorks., Nottingham, and North Staffs. have been selected to
show the process of decadence in the game. “Hopper” has first become
“upper,” and then “other.” Of the North Staffs. Potteries version Miss
Keary says, “How it ends I have never been able to make out; no one
about here seems to know either.” With the exception of these few
variants, it is singular how stereotyped the words of the rhyme have
become in this game.
(_d_) This game may owe its origin to the fact of the miller in olden
times paying himself in kind from the corn brought to him to be ground.
The miller is a well-known object of satire in old ballads and mediaeval
writers. It is, however, probable that the custom which formerly
prevailed at some of the public festivals, of catching or “grabbing” for
sweethearts and wives, is shown in this game. For instance, to account
for a Scottish custom it is said that St. Cowie, patron saint of two
parishes of Campbeltown, proposed that all who did not find themselves
happy and contented in the marriage state, should be indulged with an
opportunity of parting and making a second choice. For that purpose he
instituted an annual solemnity, at which all the unhappy couples in his
parish were to assemble at his church; and at midnight all present were
blindfolded and ordered to run round the church at full speed, with a
view of mixing the lots in the urn. The moment the ceremony was over,
without allowing an instant for the people present to recover from their
confusion, the word “Cabbay” (seize quickly) was pronounced, upon which
every man laid hold of the first female he met with. Whether old or
young, handsome or ugly, good or bad, she was his wife till the next
anniversary of this custom (Guthrie’s _Scottish Customs_, p. 168).
Another old wedding superstition is alluded to by Longfellow:—
“While the bride with roguish eyes,
Sporting with them, now escapes and cries,
‘Those who catch me, married verily this year will be.’”
See “Joggle Along.”
Jolly Rover
[Music]
Public-domain text, read in full here on John Shaqi.
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