The Traditional Games of England, Scotland, and Ireland (Vol 1 of 2): With Tunes, Singing-Rhymes and Methods of Playing etc.Gomme, Alice Bertha
History
The Traditional Games of England, Scotland, and Ireland (Vol 1 of 2): With Tunes, Singing-Rhymes and Methods of Playing etc.
Gomme, Alice Bertha
Folklore -- Great Britain; Games -- Great Britain
VIII. Pray, mother, pray,
May I go out to play?
No, daughter, no, daughter,
Not every fine day.
Why, mother, why?
I shan’t be gone long.
Make a fine curtsey
And glad git you gone.—
Wait for your sister.
—Hurstmonceux, Sussex (Miss Chase).
IX. Please, mother, please, mother, may I go out to play?
No, child, no, child, ’tis such a cold day.
Why, mother, why, mother, I won’t stay long.
Make three pretty curtseys and off you run.
—Northants (Rev. W. D. Sweeting).
(_b_) One girl is chosen to act as “Mother,” the rest of the players
pretend to be her children, and stand in front of her, not in a line,
but in a group. One of them, very frequently all the children ask her
the first question, and the Mother answers. When she gives permission
for the children to go out they all curtsey three times, and run off and
pretend to play. They then return, and the rest of the dialogue is said,
the Mother asking the questions and the children replying. At the end of
the dialogue the Mother chases and catches them, one after the other,
pretending to beat and punish them. In the Northants and Hurstmonceux
games there appears to be no chasing. In the London version (Miss Dendy)
only two children are mentioned as playing. When the Mother is chasing
the girl she keeps asking, “Where’s my share of the silver penny?” to
which the girl replies, “You may have the nut-shells.” In the Cornish
version, when the Mother has caught one of the children, she beats her
and puts her hands round the child’s throat as if she were going to hang
her.
(_c_) Miss Courtney, in _Folk-lore Journal_, v. 55, says: “I thought
this game was a thing of the past, but I came across some children
playing it in the streets of Penzance in 1883.” It belongs to the
cumulative group of games, and is similar in this respect to “Milking
Pails,” “Mother, Mother, the Pot boils over,” &c. There seems to be no
other object in the game as now played except the pleasures of teasing
and showing defiance to a mother’s commands, and trying to escape the
consequences of disobedience by flight, in order that the mother may
chase them. The idea may be that, if she is “out of breath,” she cannot
chastise so much. Mr. Newell (_Games_, p. 172) gives versions of a
similar game.
Mother Mop
All the players, except one, stand two by two in front of each other,
the inner ones forming an arch with their hands united—this is called
the “oven.” The odd child is “Mother Mop.” She busies herself with a
pretended mop, peel, &c., after the manner of old-fashioned bakers,
making much ado in the valley between the rows of children. The oven
soon gets demolished, and the last child vanquished becomes “Mother Mop”
the next time.—Bitterne, Hants (Mrs. Byford).
Public-domain text, read in full here on John Shaqi.
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