The Traditional Games of England, Scotland, and Ireland (Vol 2 of 2): With Tunes, Singing-Rhymes, and Methods of Playing etc.Gomme, Alice Bertha
General
The Traditional Games of England, Scotland, and Ireland (Vol 2 of 2): With Tunes, Singing-Rhymes, and Methods of Playing etc.
Gomme, Alice Bertha
Folklore -- Great Britain; Games -- Great Britain
This method of playing obtains in most versions of the game, though
there are variations and additions in some places. In the Bocking,
Barnes, Dublin, Hurstmonceux, Settle, Symondsbury, Sporle, Earls Heaton,
and Clapham versions, where the verses begin with “Here comes one Duke
a-riding,” one boy stands facing the girls, and sings the first verse
advancing and retiring with a dancing step, or with a step to imitate
riding. In some instances the “three Dukes” advance in this way. In the
Barnes version, when the chosen girl has walked over to the duke, he
takes her hands and dances round with her, while singing the tenth
verse. In the Symondsbury (Dorset) version the players stand in a group,
the duke standing opposite, and when singing the sixth verse, advances
to choose the girl. When there is only one player left on the maidens’
side the dukes all sing the seventh verse; they then come forward and
claim the last girl, and embrace her as soon as they get her over to
their side. In the Hurstmonceux version, when the girls are all on the
dukes’ side, they sing the last verse. Miss Chase does not say whether
this is accompanied by dancing round, but it probably would be. In the
Dublin version, after the third verse, the duke tries to carry off the
youngest girl, and her side try to save her. In the Wrotham version,
after the girls’ retort, “Quite as good, as you, sir,” the dukes select
a girl, who refuses to go to them: they then sing the last six lines
when the girl goes over. In the second Dorset version (which appeared in
the _Yarmouth Register_, Mass., 1874) the players consisted of a dozen
boys standing in line in the usual way, and a dozen girls on the
opposite side facing them. The boys sing the first two verses
alternately; the girl at first refuses and then consents to go. Dancing
round probably accompanies this, but there is no mention of it. In
Roxton, St. Neots, after the verses are sung, the duke and the selected
girl clasp hands, and he pulls her across to the opposite side, as in
“Nuts in May.” In Settle (Yorks.) the game is called “The Dukes of York
and Lancaster.” The first duke advances with a dancing step. The game is
then played in the usual way until all the players are ranged on the
dukes’ side; then the two original dukes, one of whom is “red” and the
other “white,” join hands, and the other players pass under their raised
hands. The dukes ask each of them, in a whisper, “red?” or “white?” The
player then goes behind the one he or she has chosen, clasping the
duke’s waist. When all the players have chosen, a tug-of-war ensues
between the two sides. In the Earls Heaton version, the duke sings the
verses, offering gifts to the girl when she has been selected. In the
Oxfordshire version (Miss Broadwood) one player sings the words of the
verse, and all join in the refrain as chorus. In the Monton (Lancashire)
version the duke sings the last verse, and then takes a girl from the
Public-domain text, read in full here on John Shaqi.
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